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  1. Philip Morton Shand (21 January 1888 – 30 April 1960), known as P. Morton Shand, was a British journalist, architecture critic (an early proponent of modernism), wine and food writer, entrepreneur and pomologist. He was the paternal grandfather of Queen Camilla.

    • 30 April 1960 (aged 72), Lyon, France
  2. 9. Okt. 2023 · Ihr Großvater väterlicherseits, Philip Morton Shand (*1888-†1960), hat ihre Großmutter Edith (*1893-†1981) brutal misshandelt. So geht es aus den Scheidungspapieren hervor. Der schlimmste Vorfall soll sich laut den Dokumenten am 17. August 1916 zugetragen haben. Zu der Zeit war das Paar erst vier Monate verheiratet.

  3. 25. Okt. 2022 · This article reconsiders the success of Alvar Aalto in interwar Britain through the perspective of P. Morton Shand, a journalist and critic who introduced European Modernism to British architects. It reveals how Shand conceived and led the seminal exhibition of Aalto's furniture in 1933, blurring the lines between journalism and propaganda, and how he influenced the promotion of modern design culture in Britain.

  4. 14. Aug. 2023 · Am 17. August 1916, als Edith (†), die erste Ehefrau von Philip Morton Shand, im vierten Monat schwanger war, soll ihr Mann sie in ihrer Villa im Südwesten Londons überfallen haben.

  5. 18. Dez. 2023 · Philip Morton Shand was born in 1888 and died in Lyon in 1960. Architecture critic, journalist and food writer, Shand was a co-founder of MARS, the Modern Architectural Research Group and was said to be instrumental in bringing modern architecture into Britain. He was a translator and correspondent of Walter Gropius and a friend of ...

  6. 28. Sept. 2023 · 28/09/2028. Author. Dianat, Alborz. Metadata. Show full item record. This thesis presents a re-reading of architectural culture in the interwar years by revealing Britain’s collaborative role within European developments. This is achieved through study of critic Philip Morton Shand (1888-1960).

  7. Based on Shands involvement in these and other events, this thesis argues for the existence of a reciprocal line of influence, with Britain’s developments received, understood and appreciated in Europe. This proposes a new direction for historians of the interwar years to pursue, with greater respect for Britain’s contributions to the ...