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24. Apr. 2024 · These original sessions, featuring Davis alongside luminaries like John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, stand as timeless classics that have indelibly shaped the course of jazz.This revisited edition captures the very essence and vitality of those legendary sessions while infusing them with a fresh perspective. The music's hallmark traits--the melodic sophistication ...
23. Apr. 2024 · Philly Joe Jones. The Records. Listening to music is an important part of learning a new style. Here are fifteen essential jazz albums that every drummer should check out. Clifford Brown & Max Roach “Clifford Brown & Max Roach” (1954) ...
26. Apr. 2024 · Anyone who thinks of Evans as a neo-impressionist will be startled by the pianist's hard driving swing here, propelled by the ace Miles Davis rhythm section of bassist Paul Chambers and drummer Philly Joe Jones. Evan's famously golden tone, both hard and highly malleable, glows on the breathlessly slow "Young And Foolish," with it's astonishingly beautiful coda, and the two solo forays taken ...
28. Apr. 2024 · DRUMS AROUND THE WORLD / Philly Joe Jones 商品詳細 タイトル：DRUMS AROUND THE WORLD レーベル：Riverside アーティスト： Cannonball Adderley（as） Lee Morgan（tp） Blue Mitchell（tp） Sahib Shihab（bs） B
12. Mai 2024 · Philly Jo Jones' solo on "Blue Gwynn" from album "Drums Around the World" (1959)IG: @simonpsymon https://www.instagram.com/simonpsymon/Transcribed by Joerg E...
25. Apr. 2024 · Aided by Sam Jones and Philly Joe Jones, Evans set down some of his most swinging trio sides, but the session would be memorable if it had only yielded the remarkable and haunting solo improvisation called "Peace Piece."
26. Apr. 2024 · He accompanied Sarah Vaughan through the 1970s and later played with Sonny Stitt and Nat Adderley. Cobb’s style of drumming is in the classic hard-bop tradition of Philly Joe Jones, Max Roach, and Art Blakey. As an accompanist he plays forcefully, aggressively, and slightly ahead of the beat; as a soloist he uses the entire drum set in a ...
