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  1. Portrait of the Blues is an album by the American singer Lou Rawls, released in 1993. [2] [3] The album peaked at No. 4 on the Billboard Traditional Jazz Albums chart.

    • 1993
  2. en.wikipedia.org › wiki › Phoebe_SnowPhoebe Snow - Wikipedia

    Phoebe Ann Laub: Born July 17, 1950 New York City, U.S. Died: April 26, 2011 (aged 60) Edison, New Jersey, U.S. Genres: Blues, folk, gospel, jazz, R&B, roots rock, soul: Occupation(s) Singer-songwriter: Instrument(s) Guitar, vocals: Years active: 1972–2010: Labels: Shelter, Columbia, Mirage, Elektra, Eagle, House of Blues

  3. Phoebe Snow ist mit einer Vielzahl bekannter Kollegen aufgetreten oder hat mit diesen zusammen Platten aufgenommen; darunter waren neben den oben bereits Genannten Jewel, Billy Joel, Queen, Jackson Browne, Linda Ronstadt, Bonnie Raitt, Michael McDonald, Boz Scaggs, Cyndi Lauper, Roger Daltrey, Chaka Khan, CeCe Peniston, Take 6, Michael Bolton, Thelma Houston, Mavis Staples, Laurie Anderson und ...

  4. 27. Sept. 2023 · 1. What inspired Phoebe Snow to write Harpo’s Blues? Phoebe Snow drew inspiration from her own personal experiences and observations. She often found solace in music and used it as a means of self-expression. This poignant song emerged from a place of introspection and the universal desire for understanding and connection. 2.

  5. Phoebe Snow is the debut album by American roots music singer-songwriter Phoebe Snow, released in 1974. It contains her Top 5 Billboard hit, " Poetry Man ", and opens with her cover of Sam Cooke 's R&B hit " Good Times ".

    • 35:36
    • July 1974
    • 1973
  6. The powerful vocals of Phoebe Snow, coupled with the heartfelt lyrics, make “Harpos Blues” a timeless and soul-stirring piece of music. It serves as a reminder that our desires for simplicity, connection, and freedom are universal and deeply human.

  7. Phoebe Snow. Phoebe Snow (born Phoebe Ann Laub; July 17, 1950 – April 26, 2011) was an American singer, songwriter, and guitarist, best known for her 1975 song "Poetry Man". She was described by The New York Times as a "contralto grounded in a bluesy growl and capable of sweeping over four octaves."