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Raphael „Ray“ Bryant (* 24. Dezember 1931 in Philadelphia, Pennsylvania; † 2. Juni 2011 in New York City [1]) war ein US-amerikanischer Pianist des Modern Jazz . Inhaltsverzeichnis. 1 Leben. 2 Diskographische Hinweise. 3 Literatur. 4 Weblinks. 5 Einzelnachweise. Leben.
Early life. Later life and career. 1946–1958. 1959–1971. 1972–2011. Family. Playing and composing style. Discography. As leader. As sideman. References. External links. Ray Bryant. Raphael Homer " Ray " Bryant (December 24, 1931 – June 2, 2011) was an American jazz pianist, composer, and arranger. Early life.
Year RecordedTitleLabelPersonnel/notes1955Some tracks trio, with Wendell Marshall ...1956Most tracks trio, with Wyatt Ruther ...1957Trio, with Ike Isaacs (bass), Specs ...1958Solo pianoReal Name: Raphael Homer Bryant. Profile: American jazz pianist and composer, born December 24, 1931 in Philadelphia, Pennsylvania, died June 2, 2011 in New York City, New York. As a pianist Ray Bryant was soulful and swinging and covered a wide range of genres from bop to blues, boogiewoogie, gospel, and R&B.
8. Juni 2011 · Peter Vacher. Wed 8 Jun 2011 13.50 EDT. The distinguished African-American pianist Ray Bryant, who has died aged 79 after a long illness, became a fixture of the jazz mainstream after enjoying...
Ray Bryant war ein König des Understatements wie nur wenige Pianisten seines technischen Kalibers. Der soulige Musiker konnte ungeheuer viel, protzte aber nicht, trumpfte nicht auf, brachte seine Ideen fast beiläufig ins Spiel, swingte auf eine angenehm unprätentiöse Weise. Man kann ihn daher allzu leicht unterschätzen. Lässt man seine ...
1. Juli 2001 · Ray Bryant, 1931-2011. Source: Rifftides by Doug Ramsey June 5, 2011. Ray Bryant died on Thursday in a New York hospital following a long illness. He was 79. A pillar of modern mainstream piano, Bryant was often categorized as a blues pianist. He was certainly that, a great one, but his stylistic breadth,powerful swing and harmonic ...
Biography. Although he could always play bop, Ray Bryant’s playing combined together older elements (including blues, boogie-woogie, gospel, and even stride) into a distinctive, soulful, and swinging style; no one played “After Hours” quite like him.
