1926
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Raymond Griffith (* 23. Januar 1895 in Boston, Massachusetts; † 25. November 1957 in Los Angeles, Kalifornien) war ein US-amerikanischer Schauspieler, Komiker, Autor, Regisseur und Filmproduzent. Er gilt als bedeutender, aber vergessener Stummfilmkomödiant.
Raymond Griffith (January 23, 1895 – November 25, 1957) was an American silent movie comedian. Later in his career, he worked behind the camera as writer and producer. Biography. Griffith was born in Boston, Massachusetts. He lost his voice at an early age, causing him to speak for the rest of his life in a hoarse whisper.
- 1 (adopted)
- 1918–1939
- Actor
- January 23, 1895, Boston, Massachusetts, U.S.
Raymond Griffith. Actor: The Night Club. Raymond Griffith was born on January 23, 1895 in Boston, Massachusetts into a theatrical family. His parents, James Henry Griffith and Mary Guichard, were both actors, as were his grandfather, Gerald Griffith, and his great grandfather, Thomas Griffith. Young Raymond made his stage debut when he was 15 ...
- January 1, 1
- Boston, Massachusetts, USA
- January 1, 1
- Masquers Club, Los Angeles, California, USA
Raymond Griffith war ein US-amerikanischer Schauspieler, Komiker, Autor, Regisseur und Filmproduzent. Er gilt als bedeutender, aber vergessener Stummfilmkomödiant. Nach Beginn des Tonfilmes beendete er seine Schauspielkarriere und wurde Produzent für 20th Century Fox.
Mini Bio. Raymond Griffith was born on January 23, 1895 in Boston, Massachusetts into a theatrical family. His parents, James Henry Griffith and Mary Guichard, were both actors, as were his grandfather, Gerald Griffith, and his great grandfather, Thomas Griffith.
- January 23, 1895
- November 25, 1957
5. März 2024 · Griffith was a uniquely reactive comedian. He could throw himself about with some courage, but never aspired to the knockabout wonder of a Keaton: his original background was the legitimate stage, not vaudeville. Instead, he uses his reactions to the events around him to provoke laughter.
by Bruce Calvert. "Raymond Griffith seems to me to occupy a handsome fifth place - after Chaplin, Keaton, Lloyd, and Langdon - in the silent comedy pantheon, a place that is his by right of his refusal to ape his contemporaries and his insistence on following the devious curve of an entirely idiosyncratic eye."
