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Years active. 1950s–1990s. Website. martypaich .com. Martin Louis Paich (January 23, 1925 – August 12, 1995) [1] was an American pianist, composer, arranger, record producer, music director, and conductor. As a musician and arranger he worked with jazz musicians Peggy Lee, Ella Fitzgerald, Stan Kenton, Art Pepper, Buddy Rich, Ray ...
Marty Paich (* als Martin Louis Paich am 23. Januar 1925 in Oakland, Kalifornien; † 12. August 1995 in Santa Ynez, Kalifornien) war ein US-amerikanischer Jazz-Pianist, Komponist, Arrangeur und Produzent des Modern Jazz und des West Coast Jazz.
20. Juli 2020 · Johnny Rivers-Realization 1968. AllMusic Review by James Chrispell. Not a concept album, but a song cycle depicting life in southern California in the late '60s, Realization is a fine cycle to catch a ride on. It's also a serious surprise -- when psychedelia reared its head in 1967, the results were frequently disastrous for those ...
Martin Louis Paich (January 23, 1925 – August 12, 1995) was an American pianist, composer, arranger, record producer, music director, and conductor. He came to prominence on the West Coast Jazz scene of the 1950s as both a pianist and a composer. Marty Paich gradually stepped away from performing as a musician to work as a producer, composer ...
By Thomas Cunniffe. From the early fifties until his death in 1995, Marty Paich was one of the top arrangers for jazz and pop singers. Paichwas especially adept at showcasing the best qualities of a vocalist. Like many arrangers, Paich could work independently, developing charts from what he knew of the singer’s range and abilities.
20. Jan. 2024 · One of the best-known arrangers of the post-World War II era, Marty Paich had much stronger jazz credentials than many of his peers, thanks to his active presence on the West Coast scene during the '50s. Paich was born in Oakland, CA, on January 23, 1925; he started out as a pianist, and was performing professionally at age 16.
10. Jan. 2022 · 1. “Tenors West” from Tenors West by Jimmy Giuffre & The Marty Paich Octet (1955) The three-tenors-and-baritone sax sound was first introduced in 1947 by Woody Herman and His Orchestra in their smash hit “Four Brothers”. It was then reintroduced in 1955 by Marty Paich for his Tenors West recording.
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