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  1. Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [17] and the paintings and drawings therefore reverse his actual features. In the etchings the printing process creates a reversed image, and the prints therefore show Rembrandt in the same orientation as he appeared to contemporaries. [18]

  2. 12. Aug. 2021 · Rembrandt’s Self Portrait, 1628 captures a young man on the brink of adulthood at 23 years old, with youthful plump skin and wild, unruly hair. Dramatic backlighting casts his face into obscuring shadow, as highlights catch the tip of his nose and wisps of his hair, demonstrating the artist’s early fascination with chiaroscuro modelling effects that would play out in his most famous large ...

  3. 10. Juli 2022 · Rembrandt inspirierte Künstler dazu, sich von Konventionen zu befreien und sich gänzlich der Kunst zu widmen. Ein Symbol für diese Freiheit und gleichzeitig Rembrandts Markenzeichen wurde ...

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  4. Rembrandt was a dedicated self-portraitist all his life, and roughly forty self-portraits by him survive today. In this example, painted when Rembrandt was fifty-four, the artist was unsparing in depicting the signs of aging in his own face, building up the paint in high relief to convey his furrowed brow, the heavy pouches beneath his eyes, and his double chin.

  5. Rembrandt van Rijn (1606-1669) is regarded as the greatest painter ever to have lived in the Netherlands. Paintings by him are currently valued at tens or even hundreds of millions of euros. The most famous of them all, The Night Watch, is estimated to be worth more than €500 million. Rembrandt’s name is known all over the world, and ...

  6. Considered the greatest painter in all of European Art, Rembrandt van Rijn was a Dutch painter and etcher of the Dutch Golden Age. As a child, he had an inclination towards painting, and spent three years under the apprenticeship of a local history painter. After another six month apprenticeship with painter Jan Pieter Lastman, he opened his ...

  7. 24. Feb. 2019 · Rembrandt used the light and shadow effect of chiaroscuro but used paint more sparingly than during his later years. The middle years of the 1630s and1640s show Rembrandt feeling confident and successful, dressed up in some portraits, and posed similarly to some of the classical painters, like Titian and Raphael, whom he greatly admired. The ...

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