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Vor 2 Tagen · Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /, Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
23. Apr. 2024 · Rembrandt (born July 15, 1606, Leiden, Netherlands—died October 4, 1669, Amsterdam) was a Dutch Baroque painter and printmaker, one of the greatest storytellers in the history of art, possessing an exceptional ability to render people in their various moods and dramatic guises.
Vor einem Tag · Impuls Rembrandt: Lehrer Stratege Bestseller. 03.10.2024 — 26.01.2025. Rembrandt van Rijn (1606-1669) war der bedeutendste holländische Maler des 17. Jahrhunderts. In seiner Werkstatt arbeitete über Jahrzehnte eine große Anzahl von Schülern, die durch die Nachahmung seines Stils zu seinem Ruhm und der Etablierung der „Marke ...
Vor 2 Tagen · Samson and Delilah is a 1629–1630 painting by Rembrandt, now in the Gemäldegalerie, Berlin. [1] It is first recorded in Frederick Henry of Orange 's collection in the Hague in 1632 and passed down through the family until Huis Honselaarsdijk and its contents were bequeathed to Frederick I of Prussia on the death of William III of Orange.
- 61.3, 61.4 cm (24.1, 24.2 in) × 50.1 cm (19.7 in)
- oil paint, panel
- 1629–1630
30. Apr. 2024 · The Night Watch, formally known as Militia Company of District II Under the Command of Captain Frans Banninck Cocq (the painting’s simpler, widely known title, first recorded in 1797, was erroneously given to it due to its thick, dark yellow varnish), is ostensibly a genre scene out of the 17th-century Dutch Baroque.
26. Apr. 2024 · Everything about this powerful lion indicates that Rembrandt saw it in reality and wanted to record it before it moved. The head and squinting eyes are especially well drawn. He created shadows by smudging the ink in places with his fingers. Download image.
19. Apr. 2024 · Portrait of Rembrandt van Rijn, Jan Lievens, c. 1628. As young artists, Rembrandt and Lievens shared a workshop in Leiden. Lievens painted his friend wearing a metal gorget and a beret. Rembrandt also portrayed himself in the same outfit a number of times during this period.