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Explore the tracklist, credits, statistics, and more for The Fountains Of Rome / The Pines Of Rome by Respighi - Sir Malcolm Sargent Conducting The London Symphony Orchestra. Compare versions and buy on Discogs.
- (32)
- Classical
- 111
- Modern
- Postcards from Italy
- Rome, Viewed Stateside
- Best of British
- The Italian Job
- Respighi Around The World
- The Crown of Laurels Goes to …
Fountains and Pines have always been the most popular of Respighi’s compositions. Audiences lap them up, even if some critics have been rather sniffy about their picture-postcard qualities in depicting the Eternal City. ‘Respighi is a slick manipulator of the orchestra,’ reported Gramophone on the first recording of Fountains(7/28). ‘He scarcely ev...
No disc quite conjures up raw excitement in such vivid detail as Arturo Toscanini’s with the NBC SO. It’s a fierce, dry recording, made in Carnegie Hall, and Toscanini and his engineers don’t stint on the decibels. The sound can be congested and it’s a punchy, aggressive reading to boot, which can weary the ears. Toscanini doesn’t hang around, so t...
British orchestras have scored a number of successes in Respighi’s double bill. There’s a touch of Hollywood Technicolor in Decca’s Phase 4 recording of Charles Munchand the New Philharmonia – glossy strings, woodwinds spread across the stereo spectrum, even a flock of antiphonal nightingales in the Janiculum! It sounds gaudy, although Munch’s dire...
It’s good to see not one but two Santa Cecilia recordings in the catalogue. The opening of Daniele Gatti’s 1996 Fountains (originally on Conifer) is akin to water torture – the Valle Giulia flowing at a trickle – but the Triton horns get stuck in and the organ makes its presence felt in Trevi. Gatti’s pacing in Pines tends to be too slow. Antonio P...
Ernest Ansermet’s 1963 account with the Orchestre de la Suisse Romande (Decca, 1/65) suffers a typically acidic oboe but the playing is adroit and Decca’s engineers capture the climaxes well. The Berlin Philharmonic perform impressively but Herbert von Karajan’s poker-faced direction sucks any joy out of these scores. It’s technically superb, refin...
While it’s tempting to award the laurels to the ‘home team’ of Antonio Pappano and his Santa Cecilia musicians, who have this music in their DNA, it’s Fritz Reiner and his Chicago forces who are triumphant. This is a recording that has squared up to many challengers in its 60‑plus year reign, but it still firmly swats away the competition and shoul...
- Mark Pullinger
8. Juni 2010 · LP, Album, Limited Edition, Numbered, Reissue, Special Edition. View credits, reviews, tracks and shop for the 2010 Vinyl release of "The Fountains Of Rome / The Pines Of Rome" on Discogs.
- (3)
- US
- 17
- Vinyl, LP, Remastered, 200g
View credits, reviews, tracks and shop for the 1960 Vinyl release of "The Fountains Of Rome / The Pines Of Rome" on Discogs.
- (1)
- 2
Pines of Rome ( Italian: Pini di Roma ), P 141, is a tone poem in four movements for orchestra completed in 1924 by the Italian composer Ottorino Respighi. It's the second of his three tone poems about Rome, following Fontane di Roma (1916) and preceding Feste Romane (1928).
- 1924
- I Pini di Roma
- 4
- P 141
Respighi: The Fountains of Rome & The Pines of Rome. London Symphony Orchestra, Sir Malcolm Sargent. Release Date: 1st Jan 1960. Catalogue No: 4803306650.
Respighi: The Fountains of Rome & The Pines of Rome (Transferred from the Original Everest Records Master Tapes) Album • London Symphony Orchestra & Sir Malcolm Sargent. A new...
