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Rita Hernandez de Alba de Acosta Stokes Lydig (* 1. Oktober 1875 in New York; † 19. Oktober 1929 in Manhattan, New York) war eine US-amerikanische High-Society -Lady und Autorin .
- Lydig, Rita De Alba De Acosta
- spanische High Society-Lady und Autorin
- um 1875
- Lydig, Rita
Rita Hernandez de Alba de Acosta Stokes Lydig (October 1, 1875 – October 27, 1929) was an American socialite named by one observer as "the most picturesque woman in America." She was photographed by Adolf de Meyer , Edward Steichen , and Gertrude Käsebier , sculpted in alabaster by Malvina Hoffman , and was painted by Giovanni ...
- William Earl Dodge Stokes Jr.
- October 27, 1929 (aged 54), Gotham Hotel, New York City
Rita remarried in 1902, to Philip Mesier Lydig, a retired Major from the US Army. In 1914 they seperated and were divorced five years later. In 1921 she announced a third marriage, to Reverend Percy Stickney Grant, which never happened. The engagement was dissolved when his employer, the Church of the Ascension, refused to authorize the ...
Rita Hernandez de Alba de Acosta Stokes Lydig (* 1. Oktober 1875 in New York; † 19. Oktober 1929 in Manhattan, New York) war eine US-amerikanische High-Society -Lady und Autorin. Rita de Acosta Lydig fotografiert von Gertrude Käsebier, 1905. Giovanni Boldini: Rita de Acosta Lydig, Öl auf Leinwand, 1902. Oops something went wrong: 403.
4. Dez. 2008 · Farrar December 4, 2008. Sitting in the bay window of the Rosenbach Museum & Library is an alabaster bust of Rita De Acosta Lydig by artist Malvina Hoffman. Hoffman’s sculpture is particularly striking not only in her choice of subject matter but also in her choice of stone. On certain afternoons it glows.
10. Jan. 2020 · 1/10/2020. 0 Comments. Rita Acosta de Lydig portrait by Giovanni Boldini, 1911. Profile of Rita Lydig. Rita Hernandez de Alba de Acosta Stokes Lydig (October 1875 – October 27, 1929) was an American socialite regarded as "the most picturesque woman in America."
Rita de Acosta Lydig (1880-1929), a noted beauty and style icon of the early twentieth century, owned this garment, attributed to Callot Soeurs. A great admirer and collector of lace, de Acosta Lydig favored simple silhouettes including coloutte-type bifurcated dresses like this one, which she paired with lace vests or jackets. Artwork Details.
