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Rodney Mills is an American mastering engineer based in Atlanta, Georgia. He has been involved in the music industry for over 50 years and has earned over 50 gold and platinum records for engineering, producing, and mastering.
- Audio Engineer, Producer
- July 13, 1946 (age 77), Douglas, Georgia, U.S.
- 1962–present
- rodneymills.com
13. Feb. 2016 · To that end, the members of .38 Special and producer Rodney Mills set about refining the double-drum boogie rock approach they'd taken with the first three albums.
Rodney Mills. 38 Special chronology. Rockin' into the Night. (1979) Wild-Eyed Southern Boys. (1981) Special Forces. (1982) Wild-Eyed Southern Boys is the fourth studio album by American Southern rock band .38 Special, released on January 3, 1981, by A&M Records.
- January 1981
- September 1979 – July 1980 at Studio One, Doraville, GA
15. Jan. 2021 · Rodney Mills is an engineer who’s been in the music industry for over 50 years. He’s earned over 50 gold and platinum records for engineering, producing, and mastering. Some of the artists he’s worked with include The Meters, James Brown, The Winstons, BJ Thomas, Atlanta Rhythm Section (11 LPs), Lynyrd Skynyrd (4 LPs), 38 ...
Rodney Mills. Profile: American mastering engineer and producer in Atlanta, Georgia. In 1968, Rodney became chief engineer at LeFevre Sound Studios in Atlanta. In 70s, he co-designed and oversaw the construction of the famous Studio One, Doraville (Georgia). In the early 90’s, he opened the Rodney Mills Masterhouse in Atlanta.
Produktion. Rodney Mills. Studio (s) Studio One. Chronologie. Rockin' into the Night. „Wild-Eyed Southern Boys“. Special Forces. Wild-Eyed Southern Boys ( Billboard 200 #18) ist das vierte Studio-Album der Southern-Rock -Band 38 Special, veröffentlicht im Mai 1981.
Rockin' into the Night is the third studio album by the southern rock band 38 Special, released in 1979.. The title track, written by three members of Survivor, became the band's first big hit (peaking at #43 during a nine-week run on the Billboard Hot 100 singles chart), and marked the first of many songs Jim Peterik would write for and with the band.
