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Selbstporträt, 1928. Roger Eliot Fry (* 14. Dezember 1866 in London; † 9. September 1934 ebenda) war ein britischer Maler und Kunstkritiker. Er prägte mit der von ihm geplanten Kunstausstellung Manet and the Post-Impressionists im Jahr 1910 den Kunstbegriff des Post-Impressionismus und gilt als wichtiger Vorläufer des Vortizismus.
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism.
Roger Fry (born December 14, 1866, London, England—died September 9, 1934, London) was an English art critic and artist, best known as the champion of the movement he termed Post-Impressionism. Fry was born into a Quaker family and was educated at the University of Cambridge for a career in science. His interest in art grew, however, and he ...
Roger Eliot Fry (* 14. Dezember 1866 in London; † 9. September 1934 ebenda) war ein britischer Maler und Kunstkritiker. Er prägte mit der von ihm geplanten Kunstausstellung Manet and the Post-Impressionists im Jahr 1910 den Kunstbegriff des Post-Impressionismus und gilt als wichtiger Vorläufer des Vortizismus.
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism. He was the first figure to raise public ...
9. März 2024 · Roger Fry was a pivotal figure in modern art criticism, introducing revolutionary perspectives that challenged traditional views and emphasized the emotional and intellectual responses evoked by art.
Roger Fry: A Biography. by Michael Shapiro. In Roger Fry —the last book she saw to publication—Virginia Woolf experiments with the structure and style of biography. She exercises editorial control to burnish the occasionally imperfect life of her subject and, by implication, to smooth over public critiques of the Bloomsbury group.
