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Based on chapter 3 “The musical Work and its score” of Roman Ingarden’s The Work of Music and the Problem of its Identity, this paper examines the semiotic theory on which Ingarden bases his analysis of music. at first sight, Ingarden’s semiotic position seems staunchly traditional, fitting the augustinian definition according to which the sign is “a thing which of itself makes some ...
Roman Ingarden (1973a, 1973b) developed an ontology of the literary artwork with implications for a theory of reader experience. An upshot of the fact that narratives represent only incompletely ...
The Poetics of Roman Ingarden. H. H. Rudnick, Eugene H. Falk. Published 10 October 1981. Philosophy, Art. World Literature Today. Falk presents the first comprehensive exposition of this great Polish phenomenologist's views of literature as art, drawing on Ingarden's writing that are relevant to the ontology of the literary work of art and to ...
As we have seen, Ingarden’s primary philosophical concern lay not in aesthetics per se but in ontology. He undertook his extensive analyses of art in order not to gather material for the construction of a general ‘theory of art’ but rather to elucidate and, to some extent, ground his position with regard to the idealism/realism debate.
Other articles where Roman Ingarden is discussed: aesthetics: The ontology of art: Still others, notably the phenomenologist Roman Ingarden, argue that the work of art exists on several levels, being identical not with physical appearance but with totality of interpretations that secure the various formal and semantic levels that are contained in it.
19. Mai 2019 · Abstract. The aim of the present paper is to eliminate a seeming redundancy in Roman Ingarden’s theory of perceptual intentionality and, through this, provide a modest and partial defense of his theory. I shall first argue that, contrary to an impression one might initially have, Ingarden’s notion of purely intentional objects of perception ...
Roman Ingarden (1893-1970) gilt unter Ästhetikern als der bedeutendste Literaturtheoretiker des letzten Jahrhunderts,, ist jedoch bei Germanisten fast nur als Name bekannt. Wer sich mit seinem Schichtenmodell für Literatur auseinandersetzen will, muss dieses mit dem Nicolai Hartmanns (1882-1950) vergleichen. Dieses ist dem Ingardens an ontologischer Durchdachtheit überlegen, an Detail ...
