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8. Nov. 2011 · Roses à crédit: Directed by Amos Gitai. With Léa Seydoux, Grégoire Leprince-Ringuet, Catherine Jacob, Pierre Arditi. A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in ...
- (144)
- Drama
- Amos Gitai
- 2011-11-08
Roses à crédit (lit. 'Roses on credit') is a 2010 French drama film co-written and directed by Amos Gitai and starring Léa Seydoux and Grégoire Leprince-Ringuet. It is based on the 1959 novel of the same name by Elsa Triolet. It received its premiere at the 2010 Toronto International Film Festival. Cast
- Amos Gitai, Marie-Jose Sanselme
- Amos Gitai
- Roses à crédit, by Elsa Triolet
- Nicole Collet, Serge Moati
12. Nov. 2014 · Directed by : Amos Gitaï Produced by : Agav Films Genre: Fiction - Runtime: 1 h 53 min Production year: 2010 At the end of WWII, Marjoline, a pretty adolesce...
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15. Dez. 2010 · by Amos Gitai. synopsis. At the end of WWII, Marjoline, a pretty adolescent, arrives in Paris. She becomes a manicurist in a luxurious beauty salon and marries Daniel, a young horticultural researcher. True happiness is hers when they receive the gift of an apartment with all the modern comforts.
Roses à crédit | The Films of Amos Gitai. Return to film list. 2010 | Fiction | Runtime 113 | 35 mm | Colour. World sales / Distribution. Agav Films. 8, rue Alibert. 75010 Paris. France. Tel.: +33 (0)1 42 40 11 00. Fax: +33 (0)1 42 40 48 45. E-mail: agav@amosgitai.com. Web: www.amosgitai.com.
9. Sept. 2010 · Elsa Triolet. Novel. A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.
ROSES À CRÉDIT. Directed by. Amos Gitaï. France, 2010. Drama. 113. Synopsis. A young couple marry in 1940s France and we follow the arc of their marriage over the next decade. As France recovers from the trauma of the war, she finds herself increasingly caught up in acquiring material possessions while he prefers a more traditional lifestyle.
