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  1. Vor 2 Tagen · The final number, a vigorous version of "It Don't Mean a Thing", brings Roy Eldridge and Stuff Smith back on stage. Stuff Smith, Don Abney, Herb Ellis and Roy Eldridge perform solos. Although this performance in Sweden was presented by the famous jazz promoter Norman Granz as part of his Jazz at the Philharmonic format, this concert clearly departs from the usual jam session scheme. In fact ...

  2. 31. März 2024 · 00:00. The inimitable Roy Eldridge this weekend in a live gig from Lou Terrasi’s Club on 47th Street in Manhattan and broadcast April 13, 1953 on The Jazz Caravan. The quartet for this broadcast gig joining Roy Eldridge on trumpet includes Dick Wellstood on piano, Slam Stewart on bass and Zutty Singleton on drums.

  3. Vor 5 Tagen · Artist: Roy Eldridge Album: Little Jazz Trumpet Giant Genre: Mainstream Jazz, Swing Label: Proper Records Released: 2004 Quality: FLAC (tracks+.cue)

  4. 8. Apr. 2024 · Soundies were 3-minute musical films which you could watch at a bar or club on a large jukebox with a screen. Film historian Susan Delson has curated a selection in Soundies: The Ultimate ...

  5. 8. Apr. 2024 · Don't stay out late. LLOYD SCHWARTZ, BYLINE: Fats Waller accompanied himself in his great song "Ain't Misbehavin'" on recordings, on the radio and in the movies, but the clip we just heard was actually the soundtrack of a soundie, one of the more than 1,800 three-minute musical films made in the 1940s, which you could watch in a bar or a club ...

  6. 1. Apr. 2024 · As a trailblazing trumpet player, Roy Eldridge's fiery solos and virtuosic technique made him a standout figure within big band music. Often referred to as the "link" between Louis Armstrong and Dizzy Gillespie, Eldridge's unique style bridged the gap between swing and bebop, influencing countless musicians along the way. His work ...

  7. Vor 2 Tagen · “Muskrat Ramble” made the transition to the swing era and was performed in new big band and combo arrangements by such artists as Lionel Hampton, Woody Herman and Roy Eldridge. Ray Gilbert wrote lyrics for it in 1950. Modernists rarely tried to update it, opting instead to cover it in a playful of tongue-in-cheek manner. Ted ...