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George Martin produzierte Rubber Soul, obwohl er seit August 1965 nicht mehr bei Parlophone angestellt und seitdem freischaffender Produzent war. Norman Smith war als Toningenieur letztmals an einem Beatles-Album beteiligt, da er neuen Aufgabenbereichen im Musikgeschäft nachging.
3. Dez. 2015 · “By the time of Rubber Soul, they were ready for new musical directions," producer George Martin said in Anthology. "In the early days, they were very influenced by American rhythm and...
According to Barry Miles, a leading figure in the UK underground whom Lennon and McCartney befriended at this time, Rubber Soul and its 1966 follow-up, Revolver, were "when [the Beatles] got away from George Martin, and became a creative entity unto themselves".
- 12 October – 11 November 1965 (except 17 June 1965 for "Wait")
- George Martin
- 3 December 1965
14. März 2008 · Recorded: 17 June 1965 12, 13, 16, 18, 21, 22, 24 October 1965 3, 4, 6, 8, 10, 11 November 1965 Producer: George Martin Engineer: Norman Smith. Released: 3 December 1965 (UK), 6 December 1965 (US) Personnel.
8. Apr. 2024 · George Martin As Rubber Soul took shape, it became clear that this was a record that was being conceived as a single cohesive work. “I think Rubber Soul was the first of the albums that presented a new Beatles to the world,” explained George Martin in Kenneth Womack’s 2017 book Maximum Volume: The Life Of Beatles Producer ...
25. Okt. 2023 · George Martin decided to give Rubber Soul a new stereo mix from the four-track tapes for its debut release on CD in 1987. The remastering team has worked with that version. “ Rubber Soul ” was remastered from the 1987 mix done by George Martin, not from the original stereo mixes.
Das Album Rubber Soul brachte eine neue Raffinesse und Tiefe mit sich, die sich von den vorherigen Alben der Jungs unterschied. George Martin beschrieb „Rubber Soul“ als „das erste Album, das der Welt die neuen, wachsenden Beatles vorstellte“, und er hatte wohl genau das Richtige getan.
