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Russell Metty (* 20. September 1906 in Los Angeles, Kalifornien; † 28. April 1978 in Canoga Park, Kalifornien) war ein US-amerikanischer Kameramann. [1] Inhaltsverzeichnis. 1 Leben. 2 Filmografie (Auswahl) 3 Weblinks. 4 Einzelnachweise. Leben. Seine Karriere im Filmgeschäft begann er im Jahr 1925 als Assistent für das Standard Film Laboratory.
Russell Metty, A.S.C. (September 20, 1906 – April 28, 1978) was an American cinematographer who won the Academy Award for Best Cinematography, Color, for the 1960 film Spartacus.
- September 20, 1906, Los Angeles, California, U.S.
- Cinematographer
- April 28, 1978 (aged 71), Canoga Park, California, U.S.
Russell Metty died on April 28, 1978, in Canoga Park, California. He was 71 years old. Born September 20, 1906. Died April 28, 1978 (71) Add to list. Won 1 Oscar. 1 win & 4 nominations total. Photos 7. Known for. Spartacus. 7.9. Cinematographer. 1960. The Omega Man.
- January 1, 1
- Los Angeles, California, USA
- January 1, 1
- Canoga Park, California, USA
Cinematographer Russell Metty, a superb craftsman who worked with such top directors as John Huston, Stanley Kubrick, Steven Spielberg and Orson Welles, was born in Los Angeles on September 20, 1906. Entering the movie industry as a lab assistant, he apprenticed as an assistant cameraman and graduated to lighting cameraman at RKO Radio Pictures ...
- Russ
- April 28, 1978
- September 20, 1906
Entdecke alle Serien von Russell Metty. Von seinen Anfängen bis zum Ende seiner 35 Karriere-Jahre.
Russell Metty, A.S.C. (September 20, 1906 – April 28, 1978) was an American cinematographer who won the Academy Award for Best Cinematography, Color, for the 1960 film Spartacus. Metty's career began around 1925 as an assistant with Standard Film Laboratory, who was then was hired by Paramount Pictures working in the camera department.
1. Touch of Evil (1958) Touch of Evil is a film that showcases Russell Metty’s cinematography prowess at its peak. We can’t help but marvel at the way Metty’s camera work adds layers of noir sophistication to this thriller. The opening shot alone is a testament to his remarkable skill. It stands as one of the most iconic long takes in film history.
