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Sacha Guitry kam 1885 als Sohn des seinerzeit berühmten französischen Schauspielers Lucien Guitry (1860–1925) und der Schauspielerin Renée de Pontry (1858–1902) in Sankt Petersburg zur Welt. In eine Theaterfamilie hineingeboren, stand Sacha Guitry bereits im Alter von fünf Jahren auf der Bühne.
Sacha Guitry. Alexandre-Pierre Georges "Sacha" Guitry ( French: [gitʁi]; 21 February 1885 – 24 July 1957) was a French stage actor, film actor, director, screenwriter, and playwright of the boulevard theatre. He was the son of a leading French actor, Lucien Guitry, and followed his father into the theatrical profession.
Sacha Guitry (born February 21, 1885, St. Petersburg, Russia—died July 24, 1957, Paris, France) was a prodigious French playwright, director, and screenwriter who often acted in his own productions Sacha, the son of the actor Lucien Guitry, achieved his first theatrical success with Nono (1905).
Sacha Guitry. Writer: The Pearls of the Crown. French actor, dramatist and director, Sacha Guitry was born in 1885 in Saint-Petersburg where his father, actor Lucien Guitry, was under contract with the city's French theater.
Blow up - Die Vor- und Abspanne von Sacha Guitry. 12 Min. Verfügbar bis zum 08/06/2025. Rund um den Film. Filme. Mehr lesen. Was verraten uns die immer sehr originellen Vor- und Abspanne der Werke von Sacha Guitry über deren Inhalt? Blow up gibt die Antwort.
27. März 2017 · Those who haven’t yet acquainted themselves with Guitry are in for a treat, as the pioneering writer, director, and actor takes the spotlight on the Criterion Channel in a series of five of his career highlights, including the picaresque masterpiece The Story of a Cheat (1936) and the deliciously twisted farce La poison (1951). As an introduction to the series, Olivier Assayas chats with us ...
26. Juli 2010 · The Story of a Cheat: Breaking the Rules While most filmmakers arrive at their profession already possessed of a vigorous love of cinema, Sacha Guitry saw the form, at least at first, as a necessary evil. Paris’s most popular and prolific playwright of the 1920s, Guitry felt that the medium was inherently compromised, that it lacked the finesse and excitement of live theater, and that ...
