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Sacha Guitry (* 9. Februar jul. / 21. Februar 1885 greg. in Sankt Petersburg; † 24. Juli 1957 in Paris; eigentlich Alexandre Pierre Georges Guitry) war ein französischer Schauspieler, Filmregisseur, Drehbuchautor und Dramatiker . Inhaltsverzeichnis. 1 Leben. 2 Werke (Auswahl) 3 Filmografie (Auswahl) 3.1 Regie. 3.2 Drehbuch. 3.3 Literarische Vorlage
Alexandre-Pierre Georges "Sacha" Guitry (French:; 21 February 1885 – 24 July 1957) was a French stage actor, film actor, director, screenwriter, and playwright of the boulevard theatre. He was the son of a leading French actor, Lucien Guitry , and followed his father into the theatrical profession.
Sacha Guitry (born February 21, 1885, St. Petersburg, Russia—died July 24, 1957, Paris, France) was a prodigious French playwright, director, and screenwriter who often acted in his own productions. Sacha, the son of the actor Lucien Guitry, achieved his first theatrical success with Nono (1905).
- The Editors of Encyclopaedia Britannica
Sacha Guitry was a French actor, dramatist and director who wrote and starred in many comedies and historical films. He was born in Saint-Petersburg in 1885 and died in Paris in 1957.
- Writer, Director, Actor
- February 21, 1885
- Sacha Guitry
- July 24, 1957
† 24. Juli 1957 Paris. Wirken. Sacha Guitry, Sohn des berühmten französischen Schauspielers Lucien G., wurde am 21. Febr. 1885 in St. Petersburg geboren, wo sein Vater am Französischen Theater spielte. Er selbst stand schon im Alter von 5 Jahren in St. Petersburg auf der Bühne und ist später unter dem Pseudonym Lorcey aufgetreten.
27. März 2017 · A master of rib-tickling dialogue and an innovator of dazzling narrative techniques, playwright-turned-filmmaker Sacha Guitry has long been revered by French movie lovers as an indispensable figure in the nation’s cinematic heritage, but his work has never received the level of international acclaim showered on his contemporary Jean Renoir.
26. Juli 2010 · Sacha Guitry’s The Story of a Cheat and The Pearls of the Crown are both strikingly unorthodox films, reliant on narration, more interested in tone and place than character, and rife with idiosyncrasies that seem almost to spring spontaneously from their maker’s mind while unfolding on-screen.
