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  1. Vor 14 Stunden · Someone Who Cares snuck out via a B-side, then the outtake hodgepodge See All Her Faces: its jump from beatless ballad to tough danceability and back is really thrilling. 13. Nothing Has Been ...

  2. Vor 23 Stunden · Dusty Springfield's solo career began in late 1963 with the upbeat pop record "I Only Want to Be with You" — a UK No. 4 hit, and the first of her six transatlantic top 40 hits in the 1960s, along with "Stay Awhile" (1964), "All I See Is You" (1966), "I'll Try Anything" (1967) and the two releases now considered her signature songs: "You Don't Have to Say You Love Me" (1966 UK No. 1/US No. 4 ...

  3. Vor 23 Stunden · That an album as good as Faithful went unreleased for 44 years says everything about how dramatically Springfield’s career unravelled in the 70s. Someone Who Cares snuck out via a B-side, then the outtake hodgepodge See All Her Faces: its jump from beatless ballad to tough danceability and back is really thrilling. 13. Nothing Has Been Proved ...

  4. Vor 23 Stunden · It might have been the album she was born to make, but the sessions for Dusty in Memphis were fraught, with one observer suggesting the singer had to be dissuaded from quitting. Hard to believe though, when you hear this song on which everything – lyric, vocal, melody, arrangemen­t and smoulderin­g atmosphere – clicks into place. It is perfection that sounds like it was achieved without ...

  5. Vor 2 Tagen · It’s all the faces and places that flood your mind when you hear it.” By anonymous. Our memories are intricately entwined with our favorite music. It follows then that this music becomes the fabric forming an atmospheric soundtrack of our youth. A time we look back on most affectionately. For me, that was the 1955-1965 time period, from ...

  6. Vor 2 Tagen · by Lauren Boisvert about 24 hours ago. Kelly Clarkson has done it again—this time she’s taken on “Sad But True” by Metallica for her Kellyoke cover to kick off her daytime talk show ...

  7. Vor einem Tag · It was all done and dusted in the space of two weeks in March 1995 – Albini never wanted to spend anything more than that amount of time on any one record. It didn’t see the light of day for almost a year, as it was as far removed as could be imagined from the Britpop sound that was all the rage at the time. The album has been described, with great affection, by one critic as a ...