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Selznick International Pictures war das Filmstudio des Produzenten David O. Selznick. Zwischen 1936 und 1948 veröffentlichte das Filmstudio insgesamt 15 Produktionen, darunter Klassiker wie Vom Winde verweht und Rebecca . Inhaltsverzeichnis. 1 Geschichte. 1.1 Anfänge. 1.2 Künstlerische Aspekte. 1.3 Ende des Studios. 2 Filmografie. 3 Einzelnachweise
Selznick International Pictures was a Hollywood motion picture studio created by David O. Selznick in 1935, and dissolved in 1943. In its short existence the independent studio produced two films that received the Academy Award for Best Picture — Gone with the Wind (1939) and Rebecca (1940)—and three that were nominated, A Star ...
Selznick Pictures. For the later company, see Selznick International Pictures. Trade advertisement with Selznick Pictures logo at top. Rear view of the Selznick studio in Fort Lee, New Jersey, 1920. Selznick Pictures was an American film production company active between 1916 and 1923 during the silent era .
3. Mai 2024 · Selznick International Pictures was the studio of David O. Selznick, producer of the highest-grossing film of all time (when adjusted for inflation), Gone with the Wind. The first Selznick studio of Lewis J. Selznick was known as Selznick Pictures, founded in 1916.
Selznick International Pictures. General information. Type. Subsidiary. Founded. 1935. Defunct. 1943. Founder. David O. Selznick Jock Whitney. Headquarters. Culver City, California, U.S. Industry. Film. Products. Motion pictures. Owner. RKO Pictures. Parent. Metro–Goldwyn–Mayer. Divisions. Pioneer Pictures. Source.
David O. Selznick war ein US-amerikanischer Filmproduzent. Zu seinen bekanntesten Filmen gehören King Kong und die weiße Frau, Vom Winde verweht, Rebecca, Ich kämpfe um dich und Duell in der Sonne. In den 1930er und 1940er Jahren besaß er sein eigenes Filmstudio, Selznick International Pictures. Er war als Perfektionist bekannt ...
8. Feb. 2012 · Using a case study of SIP’s difficulties in distributing The Adventures of Tom Sawyer in Europe during the pre-World War II period, this paper argues that economic histories of international distribution patterns often fail to acknowledge the important role of individual agency within organizational structures.
