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Serge Chaloff was an American jazz baritone saxophonist. One of bebop's earliest baritone saxophonists, Chaloff has been described as 'the most expressive and openly emotive baritone saxophonist jazz has ever witnessed' with a tone varying 'between a light but almost inaudible whisper to a great sonorous shout with the widest but most incredibly moving of vibratos.'
Capitol T742 - Serge Chaloff - Blue Serge. Capitol M-11032 - reissue of above. New World NW275 - Various - Introspection (Neglected Jazz Figures Of The 1950s And Early 1960s). Franklin Mint 72 - The Greatest Jazz Recordings Of All-Time vol. 72. *** CDs: Black Lion BLCD 760923 - Serge Chaloff - The Fable Of Mabel.
27. Juni 2011 · Eine 4CD Properbox mit 79 Tracks gewidmet einem der besten Jazz-Baritonsaxophonisten aller Zeiten Serge Chaloff. Diese ultimative Box beleuchtet die leider viel zu kurze Karriere von Chaloff aus der Zeit zwischen 1946-1957, denn Serge Chaloff verstarb im Alter von gerade einmal 33 Jahren an einem Tumor. Die Aufnahmen wurden remastered, und die ...
Serge Chaloff. I take a look at the work of baritone saxophonist Serge Chaloff (1923-1957) starting with his musical influences. Perhaps best known for his work with Woody Herman, Chaloff is considered the first bebop baritone saxophonist and paved the way for other important baritone saxophonists in the 1950’s and 1960’s.
23. Nov. 2014 · Herb Steward, Al Cohn, Zoot Sims and Serge Chaloff Septet - Four Brothers (1957)Personnel: Zoot Sims, Herbie Steward (tenor sax), Al Cohn (tenor sax, arrange...
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Serge Chaloff (1923-1957) is most widely remembered as the flamboyant baritone saxophone star with Woody Herman's 2nd Herd whose problems with drugs extended to erratic personal behavior. Nevertheless, there were many brilliant sessions featuring his work before and after his stint with Herman. This work attempts to bring them the recognition they deserve.
Serge Chaloff was an American jazz baritone saxophonist. One of bebop's earliest baritone saxophonists, Chaloff has been described as 'the most expressive and openly emotive baritone saxophonist jazz has ever witnessed' with a tone varying 'between a light but almost inaudible whisper to a great sonorous shout with the widest but most incredibly moving of vibratos.'
