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Vor 2 Tagen · "Dance To The Music" is the second studio album by the American funk and soul band Sly and the Family Stone, released in 1968 on Epic-CBS Records. It contain...
- 3 Min.
- Morggee, Morgan J
Vor 10 Stunden · “The thing I liked about Sly &The Family Stone was that the bass always plays on the off-beat. We started messing around with that. I think Ritchie came up with the chords. Ian Gillan wrote a brilliant set of lyrics which presaged his life ahead. I don’t think Ritchie liked the song very much because he wanted more melody, but
14. Mai 2024 · Mit dieser LP aus dem Jahr 1971 setzen wir die Kinks-Chronik endlich fort und sie ist auch das LP-Highlight der Sendung. Bemerkenswerte Singles aus dem Monat kommen von The Beach Boys, Sly & The Family Stone und T. Rex. Neues von heute: Snowy White, Jack McBannon.
Vor einem Tag · Musicologist Richard J. Ripani observed the album and title track showcased the variety of contemporary R&B styles, making "use of elements across the R&B spectrum, including use of a sample loop ("Rhythm Nation" samples "Thank You (Falettinme Be Mice Elf Agin)" by Sly and the Family Stone), triplet swing, rapped vocal parts and blues notes (D naturals and G naturals)."
- September 1988 – May 1989
- September 19, 1989
Vor 3 Tagen · Five of the eight songs on this funk-rock masterpiece ended up on Sly and the Family Stone's subsequent greatest-hits compilation. They defined a group that had been gaining momentum since the title track from Dance to the Music broke in 1967. "For me, Stand! was where we reached our peak as a group," guitarist Freddie Stone told WaxPoetics in ...
Vor 4 Tagen · Sly Stone was a big part of my childhood and was really like the Bible to my musical understanding. What’s home base for me is the integration of folk and gospel and rock. I was lucky enough to have mentors like Rose Stone and Freddie Stone in my life just because they were part of my family’s inner circle. And my dad was Billy Preston’s bass player.
Vor 3 Tagen · Historically, figures like Geddy Lee of Rush, Chris Squire of Yes, John Deacon of Queen, and Larry Graham of Sly and the Family Stone have elevated the bass from a mere background instrument to a leading force. Their work exemplifies how a bass line can define a track’s identity and dynamic. Iconic Basslines in Popular Music
