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Sneakin' Sally Through the Alley is the debut solo album by Robert Palmer, released in 1974. It was his first effort after three album releases co-fronting the band Vinegar Joe. Palmer is backed by The Meters and Lowell George of Little Feat.
- 35:24
- September 1974
26. Okt. 2018 · Provided to YouTube by Universal Music GroupSneakin' Sally Through The Alley · Robert PalmerSneakin' Sally Through The Alley℗ 1974 Island Records, a division...
- 4 Min.
- 404,5K
- Robert Palmer - Topic
13. Jan. 2012 · One of the most amazing facts of stumbling upon his 1974 release Sneakin’ Sally Through The Alley is the fact that this little known expat managed to lock down both The Meters and members of Little Feat, along with session greats like Cornell Dupree and Bernard Purdie to back him through an extraordinarily funky trip down NOLA inspired, hot-lace...
22. Aug. 2023 · Answer: Although the exact inspiration behind “Sneakin’ Sally Through the Alley” is a subject of speculation, it is believed to be influenced by Palmer’s experiences with clandestine relationships or encounters. The lyrics suggest a sense of thrill and risk associated with such situations.
Allen Toussaint’s “Sneakin’ Sally Through the Alley,” which Lee Dorsey first recorded in 1971, erupts immediately after “Hey Julia,” with the Nocentelli/George loose-as-a-goose duo in high gear, an absolutely riveting harmonica part from Steve York, and Palmer pushing his voice with intense authority.
4. Nov. 2023 · “Sneaking Sally Through the Alley” is more than just a catchy tune to dance to – it’s a song with a story to tell. At its core, the track delves into the theme of secrecy, exploring the idea of sneaking around and keeping things hidden. The lyrics paint a vivid picture of a mysterious woman named Sally, who navigates the ...
1. Sept. 2019 · The final piece of the opening trilogy is the title track "Sneakin' Sally Through The Alley,” penned by New Orleans legend Allen Toussaint and originally sung by Lee Dorsey of "Working in a Coalmine" fame. Backed by the Meters with Simon Phillips on drums and Lowell George on slide guitar, this song is one of Palmer's best vocal ...
