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  1. 112 minutes. Countries. United Kingdom. United States. Language. English. Budget. $2.5 million [1] So Evil My Love is a 1948 British and American Gothic psychological thriller film directed by Lewis Allen and starring Ray Milland, Ann Todd and Geraldine Fitzgerald.

    • $2.5 million
  2. So Evil My Love: Directed by Lewis Allen. With Ray Milland, Ann Todd, Geraldine Fitzgerald, Leo G. Carroll. Olivia Harwood, missionary's widow, meets charming Mark Bellis, artist and rogue, on the ship taking them both back to 1890s London. After Olivia opens a lodging house, Mark becomes her lodger then her lover.

    • (813)
    • Crime, Drama
    • Lewis Allen
    • 1948-08-06
  3. Großbritannien, USA (1948) | Kriminalfilm, Drama | 112 Minuten. NEU: PODCAST: Die besten Streaming-Tipps gibt's im Moviepilot-Podcast Streamgestöber. So Evil My Love ist ein Kriminalfilm...

  4. 20.2K subscribers. Subscribed. 17. 2.5K views 2 years ago. The original trailer of So Evil My Love directed by Lewis Allen. With Ray Milland, Ann Todd, Geraldine Fitzgerald, Leo G. Carroll....

    • 2 Min.
    • 2,8K
    • Unseen Trailers
  5. Overview. In the late 19th century, on board a ship sailing from Jamaica to England, Olivia Harwood, a recent widow, takes on the task of caring for several malaria patients, including Mark Bellis, a mysterious and tormented painter. Lewis Allen. Director. Marjorie Bowen. Novel. Ronald Millar. Screenplay. Leonard Spigelgass. Screenplay.

  6. 1948 Directed by Lewis Allen. Romantic obsession… A woman destroyed! In the late 19th century, on board a ship sailing from Jamaica to England, Olivia Harwood, a recent widow, takes on the task of caring for several malaria patients, including Mark Bellis, a mysterious and tormented painter. Cast. Crew. Details. Genres. Releases.

  7. Milland’s Mark Bellis is a con artist and thief who targets missionary widow Olivia Harwood as his next sexual and financial conquest, but Ann Todd delivers the far more complex and layered performance as Olivia, blending Victorian repression, romantic vulnerability, and apparent religious conflict with a villainous urge that clearly goes beyond...