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  1. Vor 4 Tagen · Jay McShann and His Orchestra - Dexter Blues (1941) - YouTube. Andy LeMaitre. 2.38K subscribers. Subscribed. 0. 4 views 19 minutes ago. Recorded in Dallas, Texas on 30th April 1941 Personnel:...

    • 3 Min.
    • 114
    • Andy LeMaitre
  2. Vor 2 Tagen · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

    • 3 Min.
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    • James Phillips
  3. 18. Apr. 2024 · Jay McShann - “Confessin’ the Blues” (1977 recording) It’s a jazz-writing doctrine that any blurb on pianist-singer Jay « Hootie » McShann must begin with a mention of how Charlie Parker got his professional jump-start in his band, which cemented the bop pioneer’s bluesy center of gravity and earned him his first ...

  4. 26. Apr. 2024 · by Editor. From 1941, when Charlie Parker’s first commercially recorded solos (“Hootie Blues” and “Jumpin’ the Blues,” with the Jay McShann Orchestra) dropped on Decca Records, his aesthetic decisions and virtuoso flair moved the collective sensibility of jazz in a new direction.

    • Some Blues Jay McShann1
    • Some Blues Jay McShann2
    • Some Blues Jay McShann3
    • Some Blues Jay McShann4
    • Some Blues Jay McShann5
  5. Vor einem Tag · Dieser Artikel enthält eine alphabetische Liste von bekannten und weniger bekannten Jazzstandards und Jazzkompositionen. Er erhebt keinen Anspruch auf Vollständigkeit, kann aber laufend ergänzt werden. Der jeweilige Komponist (abgekürzt: M) und gegebenenfalls Texter (abgekürzt: T) sind dahinter angegeben. Die Texte sind in der Regel ...

  6. Vor 3 Stunden · eddie cleanhead vinson and jay mcshann - jumpin' the blues: label: vinson mcshann, persons/roles: eddie vinson - composer: jay mcshann - piano: eddie cleanhead vinson - saxophone: eddie cleanhead ...

  7. Vor 5 Tagen · At around the same time, Charlie Parker recorded his famous solo on “Sepian Bounce” while playing with the Jay McShann Orchestra. So, it was clear that jazz music was going to two different places, and Parker’s cerebral, difficult, complex music that was happening in jazz meant that the emotional, earthy quality of early jazz was somewhat deliberately being moved away from. The modern be ...