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  1. Son of Schmilsson is the eighth album by American singer Harry Nilsson . Background. Nilsson was being pressured to produce a follow-up album similar to his 1971 breakthrough, Nilsson Schmilsson, but instead, he created a more eccentric work.

    • March–April 1972
    • Pop
    • 10 July 1972 (US), 28 July 1972 (UK)
    • Richard Perry
  2. NICKY HOPKINS, Jamming With Edward, Rolling Stones Records JOHN LENNON, Imagine, Apple ROLLING STONES, Exile On Main Street, Rolling Stones Records HARRY NILSSON, Son Of Schmilsson, RCA Victor CARLY SIMON, No Secrets, Elektra NICKY HOPKINS, The Tin Man Was A Dreamer, CBS GEORGE HARRISON, Living In The Material World, Apple RINGO STARR, Ringo, Apple

  3. Further raising his profile, he contributed to the Harry Nilsson album Son of Schmilsson, and recordings by Donovan. Quicksilver Messenger Service in January 1970, with Hopkins second from right In 1969, Hopkins was a member of the short-lived Sweet Thursday , a quintet comprising Hopkins, Alun Davies (who worked with Cat Stevens ...

  4. 10. Juli 2022 · The principal element that keeps Son of Schmilsson from stepping off the ledge is its fizzy musical schizophrenia. Listen to Nilsson's 'The Most Beautiful World in the World' "Take 54" emerges...

  5. Producer – Richard Perry. Notes. Recorded at Trident Studios, London, March, 1972. 1st cat# on label & spine, 2nd on back cover. On Cover is printed: incl. sensational Poster. (which is in fact about 3cm smaller than the poster within the US release) Barcode and Other Identifiers. Rights Society: GEMA. Matrix / Runout (Label side A): BPRS-8249.

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  6. # 10 – At My Front Door. Harry Nilsson’s “At My Front Door” was released on the Son of Schmilsson album. The album was released in 1972. Great piano solo by Nicky Hopkins at 1.50. # 9 – Jealous Guy. John Lennon’s “Jealous Guy” featured that classic Nicky Hopkins piano intro that set the tone for this incredible song.

  7. Producer – Richard Perry. Notes. Packaged in a gatefold, tip-on sleeve. Hype sticker: • (AAA) Lacquers Cut From Tapes by Ryan Smith, Sterling Sound. • Pressed on Exclusive 180g Black & White Vinyl. • Limited to 1500 Foil-Stamped & Numbered Copes. • Includes Foldout Poster. Recorded at Trident Studios, London, March 1972.