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Soul and Form (German: Die Seele und die Formen) is a collection of essays in literary criticism by Georg Lukács. It was first published in Hungarian in 1908, then later republished in German with additional essays in 1911. Alongside The Theory of the Novel (1916) it is one of his most famous pre-Marxist critical works.
- György Lukács
- Hungary
- 1908
- Hungarian
of the reader was to learn how to understand literary form as expressive of historical experience. Soul and Form, published fi rst in Hungarian in 1910 when the author was only twenty- fi ve, does not enter into the thicket of capitalism, bourgeois contradiction, or the specifi c kinds of literary forms to which they give rise. Lukács was to ...
1. Apr. 2011 · Book Reviews. The publication of a new, centenary edition of György Lukács's Soul and Form, a collection of essays he composed between 1907 and 1910, when he was in his early twenties, has, it appears, two different, and perhaps contradictory, aims. First of all it wishes to return Lukács to the prominence he once held within literary ...
These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in ...
20. Feb. 2013 · Language. enggerhun; German; Hungarian. Translation from the German ed. (1971) of the work first published in Hungarian under title: A lélek és a formák. Includes bibliographical references.
12. Jan. 2010 · These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the...
These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies.
