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Speaking of Abstraction: A Universal Language: Directed by Michael Blackwood. With Helmut Federle, Günther Förg, Jonathan Lasker, Robert Mangold. Featuring artists such as Brice Marden, Richard Serra and Gerard Richter, "Speaking of Abstraction: A Universal Language" presents a compelling discussion on the, oftentimes undefinable, meaning and motive behind abstract art.
1. Jan. 1999 · Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter.
Featuring artists such as Brice Marden, Richard Serra and Gerard Richter, "Speaking of Abstraction: A Universal Language" presents a compelling discussion on the, oftentimes undefinable, meaning and motive behind abstract art. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their recent exhibition, "Abstraction in the Twentieth Century", this ...
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter.
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter.
