Suchergebnisse
Suchergebnisse:
Jonatha Brooke: backing vocals on Don't, Italy, When the Heavens Light Up. Jennifer Kimball: backing vocals on Don't, Italy, When the Heavens Light Up. Bruce Cockburn: backing vocals on Open Arms, Me and That Train. Shawn Colvin: backing vocals on Dear Diary. Produced by John Leventhal, co-produced by Patty Larkin.
Distributed By – BMG Music. Credits. Backing Vocals – Bruce Cockburn, Jennifer Kimball, Jonatha Brooke, Shawn Colvin. Co-producer, Vocals, Acoustic Guitar, Electric Guitar – Patty Larkin. Drums, Percussion – Shawn Pelton. Electric Bass, Double Bass [Upright Bass], Cello – Zev Katz. Percussion – Glen Velez.
- 1
- CD, Album, Promo, Advance
- US
- High Street Records-HD95-18
Performer – Bruce Cockburn, Glen Velez, Jennifer Kimball, John Leventhal, Jonatha Brooke, Patty Larkin, Shawn Colvin, Shawn Pelton, Zev Katz; Photography – Jana Leon; Producer – John Leventhal; Recorded By – Joe Blaney, John Leventhal; Recorded By [Additional Recording] – Mark Plati, Patty Larkin; Songwriter – Patty Larkin
- (4)
- 25
- Beginnings
- Solo Career
- Going Independent
- The 2000s
- The 2010s
Jonatha Brooke and fellow Bostonian Jennifer Kimball began playing music together in the 1980s after having met at Amherst College. They performed regularly during their college years. Their folk songs were marked by "witty wordplay and sumptuous pop harmonies," according to one music critic. Another critic suggested Brooke (the duo's principal son...
In 1994, Brooke pursued a solo career. One critic described Brooke as having a "lovely soprano voice" and liked the "catchy original melodies and thorny lyrics." On her first solo effort Plumb (1995) People Magazine noted that "Brooke glides through poignant, multifaceted songs with her sweet, insinuating voice. The effect, on limpid compositions s...
The changing dynamics of the music business in the middle 1990s had a "sell-or-perish" pattern featuring a "leaner, meaner record industry," as one critic described the industry in the 1990s. "I was in the middle of a national tour [for 10 Cent Wings] when MCA dropped me," Brooke recalled. "One second you're a princess on the throne, and the next w...
Brooke's next album, Steady Pull (2001) reflected "relief and optimism." She again released it on her own label, commenting that there were "still plenty of dark corners on this record, but I wanted to push boundaries." A critic said she opened up more with this album. Her song "New Dress" (with background vocals from Crowded House frontman Neil Fi...
In 2010, Jonatha Brooke performed as the opening act of the French tour of Nolwenn Leroy, singing songs in English and in French, and joined Nolwenn Leroy for some duets. In February 2014, Brooke opened in her one-woman play My Mother Has 4 Noses off-Broadway at the Duke Theater in New York City. The play, written by Brooke, recounts in words and m...
Throughout the song, Jonatha Brooke’s delicate yet powerful vocals weave through the heartfelt lyrics, creating an emotional landscape that mirrors the complexities of human relationships. The repetition of the phrase “full-fledged strangers” emphasizes the ongoing struggle of feeling disconnected and seeking meaningful connection in a ...
- Corey Brady
29. Juni 2020 · When Jonatha Brooke entered Sweetwater Studios to record her new album, appropriately titled The Sweetwater Sessions, it wasn’t her first time tracking at the facility—her 2016 release, Midnight. Hallelujah., was recorded there—but it was a first for several reasons.
15. Juli 2020 · Jonatha Brooke - Glass Half Empty (from The Sweetwater Sessions) Music in the HOUSE! JB Music, TAB, videos are finally in the store. Dave Blackburn and I have been busy creating custom roadmaps to your favorite JB songs!
