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Peanuts Hucko, Famous Door, New York, um 1947. Foto: William P. Gottlieb. Jack Lesberg, Max Kaminsky und Peanuts Hucko. Foto: Gottlieb. Peanuts Hucko (* 7. April 1918 in Syracuse in New York als Michael Andrew Hucko; † 19. Juni 2003 in Fort Worth, Texas) war ein US-amerikanischer Jazz-Klarinettist und Saxofonist des Dixieland Jazz und Swing .
Glenn Miller and the Army Air Forces Training Command Orchestra recorded the song in 1944 with Peanuts Hucko on vocals, released as V-Disc No. 482A in August 1945 Jonah Jones Septet (recorded September 4, 1946, released by Prestige as an extended-play disc, catalog number PR-7604 [29] and by Swing Records in France as catalog number 228, with the flip side "That's the Lick" [30] )
- 1928
- Jazz
- 1928
- Dorothy Fields
Jazz, dixieland, swing. Occupation (s) Musician, bandleader. Instrument (s) Clarinet. Years active. 1940s – 1990s. Michael Andrew " Peanuts " Hucko (April 7, 1918 [1] – June 19, 2003) [2] was an American big band musician. His primary instrument was the clarinet, but he sometimes played saxophone.
Billie Holiday – Summer Of '49. More images. Tracklist. Credits (20) Ernie Caceres. Baritone Saxophone. Iggy Shevak. Bass. Jack Lesberg. Bass. Peanuts Hucko. Clarinet. Herbie Steward * Clarinet, Tenor Saxophone. Malcolm Walker. Design. Show more credits... Versions. Filter by. Format. Labels & Companies. Country. Year. 6 versions. Add to Wantlist.
- (5)
- Jazz
- 15
- Swing, Big Band, Vocal
Peanuts Hucko (1918–2003) Michael Andrew Hucko, nicknamed Peanuts as a boy due to his love of them, started his career playing tenor saxophone. In 1941 he joined the US Air Force and concentrated on clarinet (“because we did a lot of marching in sand, which was awkward with the tenor”). After the war, Hucko played in the bands of Benny ...
Barcode: 8427328510097. View credits, reviews, tracks and shop for the 2007 CD release of "Big Band Recordings, Complete 1953-1957" on Discogs.
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PEANUTS HUCKO. Although I owned a clarinet when I was 16, I didn’t play it until much later. I was playing professionally in a little joint with some good musicians who were all older than me—about 20 to 25. That was the time I switched from alto to tenor, because tenor was more appreciated for jazz. As a matter of fact, I played it so ...
