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  1. Sweet Thursday was a short-lived late-1960s English rock band . The group included famed session keyboard player Nicky Hopkins, who had worked with The Beatles, The Rolling Stones, Jeff Beck, and many others; folk guitarist, singer, and past session man Alun Davies (subsequently a frequent collaborator of Cat Stevens '); and singer ...

    • 1968–1969
  2. Sweet Thursday ist das Debütalbum der gleichnamigen Folkrockband, die um 1968 von Jon Mark, Nicky Hopkins, Alun Davies, Harvey Burns und Brian Odgers gegründet wurde. Der Vertrieb und Verkauf des Albums litt unter dem gleichzeitig mit der Veröffentlichung erfolgten Konkurs der Plattenfirma, worauf sich die Band aufgelöst hat.

    • LP, CD
    • Tetragrammaton Records (US 1969), Great Western Gramophone (US 1973), M.I.L. Multimedia (US 1998)
    • Folkrock, Blues
    • 1969
  3. Sweet Thursday is the self-titled debut, and only, album by the late 1960s British rock band Sweet Thursday. Its chance of success was cut short by the almost-immediate failure of the record label. History. The album was recorded at Trident Studios in London. [3] .

    • 43:56
    • 1969
    • Hugh Murphy
    • Rock
  4. Releases. Explore music from Sweet Thursday. Shop for vinyl, CDs, and more from Sweet Thursday on Discogs.

  5. Sweet Thursday ist der Titel von: Wonniger Donnerstag, Roman von John Steinbeck; Sweet Thursday (Band), britischen Folkrockband aus dem Jahr 1968; Sweet Thursday (Album), Musikalbum der Band Sweet Thursday

  6. The song "Sweet Thursday" from California singer/songwriter Matt Costa's 2006 release Songs We Sing is an allusion to the work. The song also incorporates aspects of other Steinbeck works including Tortilla Flat (1935) and The Grapes of Wrath (1939). British supergroup Sweet Thursday (band) named themselves after the novel. References

  7. A short-lived minor-league supergroup of sorts, Sweet Thursday featured supersessionman Nicky Hopkins on keyboards and Jon Mark (of Bluesbreakers fame) on vocals and guitar. Their sole, self-titled album (from 1969) was extremely derivative of Bob Dylan 's Blonde on Blonde period, with hoarse vocals, piano-organ arrangements, and weary ...