Suchergebnisse
Suchergebnisse:
Vor 13 Stunden · The first startling wisps were those of Tōru Takemitsu’s “How slow the Wind,” as enigmatic in its reverie as the first words of the Emily Dickinson’s poem it is named after. We were ushered into a realm of magical quiet, rustled by high string harmonics, bell-like pulses, and an eerie, gently cresting, seven-note motif that doubtless lingers in many listeners’ minds. The impression ...
