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  1. 6. Nov. 2021 · Doug Sahm and Freddy Fender in All Over the Map: True Heroes of Texas Music. When Doug Sahm recorded “Wasted Days and Wasted Nights” on his 1971 Tex-Mex roots project The Return of Doug Saldaña, the track opened with a salute to the man who wrote it. “And now a song by the great Freddy Fender,” Sahm said, his voice drenched in echo.

  2. 26. März 2020 · AmericanA to Z – Doug Sahm. March 26, 2020 Paul Kerr AmericanA to Z, Features 3. Doug Sahm, AKA Sir Douglas, AKA Doug Saldana, AKA Wayne Douglas, a man of many names and one of the prime movers in concocting what we nowadays call Americana. The embodiment of Texas music, a child prodigy, Sahm made his debut stage appearance, aged 11, when he ...

  3. I'm Missing You. 3:05. gene thomas medley: sometimes/cryin' inside Sir Doug & The Texas Tornados. 2:44. Country Groove. 2:23. You Can't Hide A Redneck (Under That Hippy Hair) 3:53. View credits, reviews, tracks and shop for the 1997 CD release of "Texas Rock For Country Rollers" on Discogs.

  4. Doug Sahm's other son, Shandon Sahm, is the drummer for the Meat Puppets as of 2010. Sahm has been named into in the South Texas Music Walk of Fame. In 2008, he was inducted into the Austin Music Memorial, in the first group. He also was given the Americana Music Association (AMA)'s Presidents Award in 2002.

  5. 8. Dez. 2006 · Douglas Wayne Sahm, musician in several popular genres, was born to Viva Lee and Victor A. Sahm, Sr., on November 6, 1941, in San Antonio. Sahm was a musical prodigy who, at an early age, began playing with a local band. He was singing on the radio at the age of five and was so gifted that he could play the fiddle, steel guitar, and mandolin by ...

  6. 26. Nov. 1999 · Also, I would say that Sir Doug Sahm was the only Texas rock & roller who was ever knighted. Charlie Fitch, Sarge Records I stopped at a place called the Barn, and lil' Doug would come in with his ...

  7. www.dougsahm.infoDoug Sahm

    13. Nov. 2013 · Like the back-to-back LPs Doug Sahm and Band and Texas Tornado, Nelson's Atlantic twofer, Shotgun Willie and Phases and Stages (both 1974) are high points in a career mountainous with peaks -- even if, like Sahm's albums, they were invisible to the record-buying public. As the conversation segues from Sahm to Nelson, and the fact that Wexler was "terminal" at Atlantic by 1975 -- he and the ...