Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics (German: Die Permanenz der Kunst: Wider eine bestimmte marxistische Ästhetik) is a 1977 book on aesthetics by the philosopher Herbert Marcuse, in which the author provides an account of modern art's political implications and relationship with society at large.

    • Herbert Marcuse
    • Germany
    • 1977
    • Die Permanenz der Kunst: Wider eine bestimmte marxistische Ästhetik
  2. 9. Sept. 2015 · The aesthetic dimension : toward a critique of Marxist aesthetics : Marcuse, Herbert, 1898-1979 : Free Download, Borrow, and Streaming : Internet Archive.

  3. The Aesthetic Dimension - Herbert Marcuse Official Website. Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society.

  4. 18. Dez. 2013 · In his last book The Aesthetic Dimension (1978), Marcuse continues his attempt to rescue the radical transformative nature of art. In this text he takes a polemical stance against the problematic interpretation of the function of art by orthodox Marxists. These Marxists claimed that only proletarian art could be revolutionary ...

  5. The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics - Herbert Marcuse Official Website. The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics (Boston: Beacon, 1978), 88 pages. Translation of Die Permanenz der Kunst (Munich: Hanser, 1977). English version translated and revised by Herbert Marcuse and Erica Shereover © 1978.

  6. About The Aesthetic Dimension. Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society.

  7. Marcuse argues that art is the only form or expression that can take up where religion and philosophy fail and contends that aesthetics offers the last refuge for two-dimensional criticism in a one-dimensional society.