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The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics (German: Die Permanenz der Kunst: Wider eine bestimmte marxistische Ästhetik) is a 1977 book on aesthetics by the philosopher Herbert Marcuse, in which the author provides an account of modern art's political implications and relationship with society at large.
- Herbert Marcuse
- Germany
- 1977
- Die Permanenz der Kunst: Wider eine bestimmte marxistische Ästhetik
The Aesthetic Dimension. Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society.
The aesthetic dimension : toward a critique of Marxist aesthetics : Marcuse, Herbert, 1898-1979 : Free Download, Borrow, and Streaming : Internet Archive. by. Marcuse, Herbert, 1898-1979. Publication date. 1978. Topics. Marx, Karl, 1818-1883 -- Aesthetics, Aesthetics, German -- 19th century, Marx, Karl, 1818-1883, Aesthetics. Publisher.
About The Aesthetic Dimension. Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse argues that art is the only form or expression that can take up where ...
- Paperback
The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics - Herbert Marcuse Official Website. The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics (Boston: Beacon, 1978), 88 pages. Translation of Die Permanenz der Kunst (Munich: Hanser, 1977). English version translated and revised by Herbert Marcuse and Erica Shereover © 1978.
On the Aesthetic Dimension: A Conversation with Herbert Marcuse (1978) Q. I'd like to begin with a paraphrase of a critical response that is being made to The Aesthetic Dimension, which is that Marcuse has finally shown himself not to be a Marxist. A. This criticism, of course, I knew beforehand.
Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse argues that art is the only form or expression that can take up where religion and philosophy fail and ...