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The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics (German: Die Permanenz der Kunst: Wider eine bestimmte marxistische Ästhetik) is a 1977 book on aesthetics by the philosopher Herbert Marcuse, in which the author provides an account of modern art's political implications and relationship with society at large.
- Herbert Marcuse
- Germany
- 1977
- Die Permanenz der Kunst: Wider eine bestimmte marxistische Ästhetik
9. Sept. 2015 · The aesthetic dimension : toward a critique of Marxist aesthetics : Marcuse, Herbert, 1898-1979 : Free Download, Borrow, and Streaming : Internet Archive.
The Aesthetic Dimension - Herbert Marcuse Official Website. Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society.
18. Dez. 2013 · In his last book The Aesthetic Dimension (1978), Marcuse continues his attempt to rescue the radical transformative nature of art. In this text he takes a polemical stance against the problematic interpretation of the function of art by orthodox Marxists. These Marxists claimed that only proletarian art could be revolutionary ...
The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics - Herbert Marcuse Official Website. The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics (Boston: Beacon, 1978), 88 pages. Translation of Die Permanenz der Kunst (Munich: Hanser, 1977). English version translated and revised by Herbert Marcuse and Erica Shereover © 1978.
About The Aesthetic Dimension. Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society.
Beacon Press, Jun 15, 1979 - Political Science - 108 pages. Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic...
