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  1. Vor einem Tag · Books. Bibliography. External links. Abstract expressionism in the United States emerged as a distinct art movement in the immediate aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists.

    • United States, specifically New York City
    • Late 1940s–present
  2. Vor 4 Tagen · Allan Kaprow (born Aug. 23, 1927, Atlantic City, N.J., U.S.—died April 5, 2006, Encinitas, Calif.) was an American performance artist, theoretician, and instructor who invented the name Happening for his performances and who helped define the genre’s characteristics.

  3. Vor 3 Tagen · The Maxine Greene Institute serves as a gateway for artists, educators, researchers and all those interested in learning more about these aesthetic encounters, the canon embedded in the philosophy of aesthetic education, all the while sharing our practice and experiences - in the light of our backgrounds and biographies - with each ...

  4. Vor 3 Tagen · Art Theory. Information And Computing Sciences Not Elsewhere Classified. Research interests. In his career he has moved between Museums and Universities: researching and curating collections, and organising exhibitions.

  5. Vor 3 Tagen · Studio Indigo. Photography: Luke White. Once considered the height of interior design sophistication, minimalism is now often maligned for looking soulless or un-lived in. And, to be fair, it can; successfully executing minimalism requires more than a white backdrop.

  6. en.wikipedia.org › wiki › ModernismModernism - Wikipedia

    Vor 23 Stunden · Fluxus encouraged a do-it-yourself aesthetic and valued simplicity over complexity. Like Dada before it, Fluxus included a strong current of anti-commercialism and an anti-art sensibility, disparaging the conventional market-driven art world in favor of an artist-centered creative practice. Fluxus artists preferred to work with ...

  7. Vor 3 Tagen · The following questions will be addressed: What are the conditions for the move from the subjective judgment of taste (Kant) to objective beauty (Romantics, Hegel)? How is the relation of art and nature reconceived by the Romantics? What is the relation of aesthetic theory and the history of art? Is philosophy the end of art?