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  1. The Catherine Wheel is an album by Scottish-American musician David Byrne, released in 1981 by Sire Records. It contains Byrne's musical score for choreographer Twyla Tharp 's dance project of the same name.

    • 40:45 (LP), 68:41 (cassette, CD)
    • David Byrne
    • December 1981
  2. The Catherine Wheel takes its title from a torture device used in the martyrdom of Saint Catherine of Alexandria. This device has lent its name to a number of familiar things over time - a spinning firework, a crochet pattern, a flower. Tharp’s second Broadway production operates within a world of plurality wherein an archetypal family faces ...

  3. en.wikipedia.org › wiki › Adrian_BelewAdrian Belew - Wikipedia

    He played on keyboard player/guitarist Jerry Harrison's debut album, The Red and the Black, and on several tracks on David Byrne's soundtrack to the Twyla Tharp dance piece, The Catherine Wheel (with his guitar noises credited, amongst other things, as "beasts").

  4. In The Catherine Wheel kann man hören, worauf Byrne Jahre zuvor hinauswollte -- nämlich auf schwere, rhythmische Musik --, bevor sich die "Heads" auflösten, und er als Impresario der brasilianischen und lateinamerikanischen Musik sein Glück versuchte. Es ist der Sound eines jungen Genies freier Herrschaft, und als solcher ist er exzeptionell.

    • (64)
  5. 19. Mai 2023 · “ The Catherine Wheel takes its title from a torture device used in the martyrdom of Saint Catherine of Alexandria. This device has lent its name to a number of familiar things over time — a spinning firework, a crochet pattern, a flower.

  6. 22. Apr. 2020 · After Tom Tom Club, Adrian Belew participated in David Byrne’s project ‘Songs from the Broadway Production of The Catherine Wheel’. This was a musical score commissioned by Twyla Tharp for her dance company, which was released as an album.

  7. The Catherine Wheel III is a tour-friendly redaction of the original Broadway production. The set is more compact and the cast slightly smaller. Tharp condensed the original seventeen sections to fourteen and reduced the plot to its essential elements. Character names were eliminated, transforming story into allegory.