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  1. 2009–2014: The Depression trilogy. The Depression trilogy consists of Antichrist, Melancholia, and Nymphomaniac. The three films star Charlotte Gainsbourg, and deal with characters who suffer depression or grief in different ways. This trilogy is said to represent the depression that Trier himself experiences.

  2. 4 titles. Sort by List order. 1. Antichrist. 2009 1h 48m Not Rated. 6.5 (137K) Rate. 49 Metascore. A grieving couple retreat to their cabin in the woods, hoping to repair their broken hearts and troubled marriage, but nature takes its course and things go from bad to worse.

  3. In fact, Melancholia is the second in Von Trier's so-called depression trilogy, which also included Antichrist and Nymphomaniac: through all three, he purported to be exploring different ...

  4. 1 ^ These are the original titles that the films and miniseries were given. 2 ^ The Elements of Crime, Epidemic and Europa are, respectively, the first, second and third part of the film trilogy Europa. 3 ^ Breaking the Waves, The Idiots and Dancer in the Dark are, respectively, the first, second and third part of the film trilogy Golden Heart.

  5. 6. Apr. 2020 · Lars von Trier became known to the public eye mainly through his Trilogy of Depression. This is a short overview of that; what we liked, what we didn’t like, and whether we recommend the specific features in the Trilogy. Antichrist. The first of the three, Antichrist came out in 2009 and starred Willem Dafoe and Charlotte ...

  6. 15. Feb. 2021 · Lars von Trier's The Depression Trilogy would be an excellent box set release. Pretty sure arrow video is gonna be releasing this some time this year. IFC has the rights to Nymphomaniac, while the other two are with Magnolia Pictures. Box sets are easiest when all the rights are consolidated unfortunately : (.

  7. A look at Von Triers three films (AntiChrist, Melancholia, and Nymphomaniac) and an analysis on the theme of depression and how it is portrayed in each film. Questions to consider include: does Von Trier start and end with the same perspective on depression? Are there parallels between the films and, if so, how are they explored?