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  1. 29. März 2016 · The Fright of Real Tears: Krzystof Kieslowski between Theory and Post-Theory Google | [amazon text=Amazon&asin=0851707548] This book out of a series of lectures that Slavoj Zizek delivered at London’s National Film Theatre in the summer of 1998. My invitation to give these lectures had a very precise purpose. I wanted Slavoj to address the weaknesses and insularity of film studies as they ...

  2. The Fright of Real Tears: Krzysztof Kieslowski Between Theory and Post-Theory Gebundene Ausgabe – 1. Dezember 1999 . Englisch Ausgabe von Slavoj Zizek (Autor) 5,0 5,0 von 5 Sternen 1 Sternebewertung. Alle Formate und Editionen anzeigen. Beim Laden dies ...

  3. 1. Dez. 1999 · The Fright of Real Tears. Slavoj Žižek. Bloomsbury Academic, Dec 1, 1999 - Art - 240 pages. Theory in film studies, as elsewhere, is in crisis. The once-dominant psychoanalytic paradigm is contested by cognitive models and 'Post-Theory'. In the background is a wider crisis in cultural studies, particularly as regards the public role of the ...

  4. 1. Okt. 2002 · Emma Wilson; Slavoj Žižek, The Fright of Real Tears: Krzysztof Kieślowski between Theory and Post-Theory, Screen, Volume 43, Issue 3, 1 October 2002, Pages 337–

  5. 2001 - The Fright of Real Tears - Free ebook download as PDF File (.pdf), Text File (.txt) or read book online for free. Krzysztof Kieslowski between Theory and Post-Theory OEh Publishing. The book grew out of a series of lectures that Slavoj 2ieek delivered at London's National Film Theatre in the summer of 1998. The lectures were intended to ...

  6. In This Major New Study Slavoj Z̆iz̆ek Challenges Both Cognitivist-historicist Accounts Of Cinema, And Conventional Film Theory. Urging A More Complex Understanding Of Lacan, Z̆iz̆ek Seeks To Revitalise Psychoanalytic Approaches To Cinema, In Defiance Of The Reductions Of Post-theory, And In So Doing Opens Up New Pathways In Cultural And ...

  7. 1. Okt. 2002 · Emma Wilson; Slavoj Žižek, The Fright of Real Tears: Krzysztof Kieślowski between Theory and Post-Theory, Screen, Volume 43, Issue 3, 1 October 2002, Pages 337–