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  1. The Goalkeeper's Fear of the Penalty (German: Die Angst des Tormanns beim Elfmeter) is a 1972 German-language detective film, directed by Wim Wenders. It is also known as The Goalie's Anxiety at the Penalty Kick. It was adapted from the novel with the same title by Peter Handke.

    • 19 February 1972
  2. 13. Jan. 1977 · The Goalie's Anxiety at the Penalty Kick: Directed by Wim Wenders. With Arthur Brauss, Kai Fischer, Erika Pluhar, Libgart Schwarz. Goalkeeper Josef Bloch is ejected during a game for foul play. He leaves the field and goes to spend the night with a cinema cashier.

    • (2,1K)
    • Drama, Sport
    • Wim Wenders
    • 1977-01-13
  3. The Goalie’s Anxiety at the Penalty Kick. The goalkeeper Josef Bloch (Arthur Brauss) is sent off after committing a foul during an away game. This causes him to completely lose his bearings.

    • The Goalkeeper's Fear of the Penalty Film1
    • The Goalkeeper's Fear of the Penalty Film2
    • The Goalkeeper's Fear of the Penalty Film3
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    • The Goalkeeper's Fear of the Penalty Film5
  4. Goalkeeper Josef Bloch is sent off after committing a foul during an away game. This causes him to lose his bearings, and he wanders aimlessly through the city streets and spends the night with the box-office attendant of a movie theatre. (Also known as The Goalkeeper’s Fear of the Penalty.)

  5. Goalkeeper Josef Bloch is sent off after committing a foul during an away game. This causes him to lose his bearings, and he wanders aimlessly through the city streets and spends the night with the box-office attendant of a movie theatre. (Also known as The Goalkeeper’s Fear of the Penalty.)

  6. Based on the 1970 novella by Peter Handke, Wim Wenders' The Goalie's Anxiety at the Penalty Kick, completed in 1972, documents the warped journey of athlete Josef Bloch (Arthur Brauss) as he slowly and unhysterically transitions from a professional football goalie to a peripatetic madman.

  7. The Goalie’s Anxiety at the Penalty Kick. Adapted from a novel by Nobel Prize winner Peter Handke, Wim Wenders’s first theatrical feature crosses Hitchcock with Kafka for an arresting study of existential ennui, violence, and the lure of American culture in postwar Europe.