1975
Suchergebnisse
Suchergebnisse:
The Goalkeeper's Fear of the Penalty (German: Die Angst des Tormanns beim Elfmeter) is a 1972 German-language detective film, directed by Wim Wenders. It is also known as The Goalie's Anxiety at the Penalty Kick. It was adapted from the novel with the same title by Peter Handke.
- 19 February 1972
13. Jan. 1977 · The Goalie's Anxiety at the Penalty Kick: Directed by Wim Wenders. With Arthur Brauss, Kai Fischer, Erika Pluhar, Libgart Schwarz. Goalkeeper Josef Bloch is ejected during a game for foul play. He leaves the field and goes to spend the night with a cinema cashier.
- (2,1K)
- Drama, Sport
- Wim Wenders
- 1977-01-13
The goalkeeper Josef Bloch (Arthur Brauss) is sent off after committing a foul during an away game. This causes him to completely lose his bearings. He wanders aimlessly through the unfamiliar town, spends the night with the box-office attendant of a movie theater (Erika Pluhar), and strangles her the next morning.
31. Okt. 2021 · October 31, 2021 / Arthouse. Die Angst des Tormanns beim Elfmeter (1972) AKA The Goalie's Anxiety at the Penalty Kick. 3.9. ( 18) After letting in an easy goal, the experienced German goalkeeper, Josef Bloch, believing it is offside, engages in a loud and fierce argument with the referee.
Goalkeeper Josef Bloch is sent off after committing a foul during an away game. This causes him to lose his bearings, and he wanders aimlessly through the city streets and spends the night with the box-office attendant of a movie theatre. (Also known as The Goalkeeper’s Fear of the Penalty.)
Directed by Wim Wenders. Goalkeeper Josef Bloch is sent off after committing a foul during an away game. This causes him to lose his bearings, and he wanders aimlessly through the city streets and spends the night with the box-office attendant of a movie theatre. Remove Ads. Cast. Crew. Details. Genres. Releases.
Directed by Wim Wenders • 1972 • West Germany. Starring Arthur Brauss, Kai Fischer, Erika Pluhar. Adapted from a novel by Nobel Prize winner Peter Handke, Wim Wenders’s first theatrical feature crosses Hitchcock with Kafka for an arresting study of existential ennui, violence, and the lure of American culture in postwar Europe.
