Suchergebnisse
Suchergebnisse:
1. Mai 2024 · Intro. Dear friends, Welcome to our W 3 Poetry Prompt, which goes live on Wednesdays at The Skeptic’s Kaddish. You may click here for a fuller explanation of W 3; but here’s the ‘tldr’ version: Part I. The main ingredient of W3 is a weekly poem written by a Poet of the Week (PoW), which participants read before participating in the prompt. Part II.
22. Apr. 2024 · In his youth, Diderot was originally a follower of Voltaire and his deist Anglomanie, but gradually moved away from this line of thought towards materialism and atheism, a move which was finally realised in 1747 in the philosophical debate in the second part of his The Skeptic’s Walk (1747). Diderot opposed mysticism and occultism, which were highly prevalent in France at the time he wrote ...
Vor einem Tag · Sending a Message with F-16 Elephant Walk The elephant walk in Greece is no doubt meant to convey to European adversaries (i.e. Russia) that the U.S. and its allies are ready and capable.
According to pre-X Twotter employees, I am possessed by demons and casting spells on them because I posted goth and rock videos.
5. Mai 2024 · 4,961 × 3,508 pixels, file size: 4.65 MB. Folded and Photographed. by Richard Saunders. The Skeptic Zone Podcast is an independent production by Richard Saunders and the team of reporters. The views and opinions expressed on the Skeptics Zone Podcast are not necessarily those Australian Skeptics Inc. or any other skeptical organisation.
Vor 23 Stunden · Shanahan’s first in-person, solo campaign stop is unlikely to persuade skeptics. The event, organized by Angela Stanton King, a Kennedy campaign consultant who worked for Donald Trump’s ...
24. Apr. 2024 · Intro. Dear friends, Welcome to our W 3 Poetry Prompt, which goes live on Wednesdays at The Skeptic’s Kaddish. You may click here for a fuller explanation of W 3; but here’s the ‘tldr’ version: Part I. The main ingredient of W3 is a weekly poem written by a Poet of the Week (PoW), which participants read before participating in the prompt. Part II.
