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  1. Trevor Bolder. Mick Woodmansey. Mike Garson. Dave Black. Pete McDonald. Aynsley Dunbar. The Spiders from Mars were rock singer David Bowie 's backing band in the early 1970s, and initially consisted of Mick Ronson on guitars, Trevor Bolder on bass guitar, and Mick Woodmansey on drums. [2] The group had its origins in Bowie's earlier backing ...

  2. The Rise and Fall of Ziggy Stardust and the Spiders from Mars oder kurz Ziggy Stardust ist ein Konzeptalbum von David Bowie aus dem Jahr 1972. Es wurde von der Musikzeitschrift Melody Maker als das „maßgebliche Album der 1970er Jahre“ bezeichnet, erreichte Platz 5 in Großbritannien sowie Platz 75 der amerikanischen Billboard-Charts und lieferte den Stoff für den Dokumentarfilm Ziggy ...

  3. Released: 28 April 1972. "Rock 'n' Roll Suicide". Released: 11 April 1974. The Rise and Fall of Ziggy Stardust and the Spiders from Mars (often shortened to Ziggy Stardust [1]) is the fifth studio album by the English musician David Bowie, released on 16 June 1972 in the United Kingdom through RCA Records.

  4. Provided to YouTube by Parlophone UKZiggy Stardust (2012 Remaster) · David BowieThe Rise and Fall of Ziggy Stardust and the Spiders from Mars℗ Under exclusiv...

  5. The album features glam rock tracks Bowie writes alongside his Spiders From Mars guitarist Mick Ronson on tracks like “Hang on to Yourself” and “Suffragette City” with an irresistible ...

  6. Buy the Album. 'Ziggy Stardust and the Spiders from Mars: The Motion Picture’ is digitally restored (now in 4K and with 5.1 sound) and complete for the first time. Released to mark the 50th anniversary of David Bowie’s last show as his famous alter-ego, the film was unveiled at a Global Premiere on 3 July 2023, 50 years to the day since his ...

  7. 11. Jan. 2017 · The album with which David Bowie became a fully-fledged star, The Rise And Fall Of Ziggy Stardust And The Spiders From Mars was a loose concept album about a bisexual, androgynous rocker who became a conduit for alien beings in a dystopian alternate reality. I think I did play outside the boundaries of what is considered area of rock ‘n’ roll.