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  1. In his Civilisation of the Renaissance in Italy, Jacob Burckhardt introduced the concept of 'the state as a work of art' as a characterization of practical politics in fourteenth- and fifteenth-century Italy. He equated the concept with the notion of'the state as the outcome of reflection and calculation' (on the part of.

  2. A complement to classic studies of the Constitution’s economic, ideological, and political origins, The State as a Work of Art sheds new light on the origins of the Constitution and on ongoing debates over its interpretation.

  3. For Giovanni Botero (d. 1617), ‘The State is a permanent dominium over people.’ For Burckhardt, the Renaissance State was a work of art, subject to rational planning, unconstrained by law or morals—but this development could occur only when the ‘stato’ became The State.

  4. Slauter uncovers the hidden cultural histories upon which the document rests, highlights the voices of ordinary people, and considers how the artifice of the state was challenged in its effort to...

  5. 26. Aug. 2010 · Pioneering art historian Jacob Burckhardt saw the Italian Renaissance as no less than the beginning of the modern world. In this hugely influential work he argues that the Renaissance's...

    • Jacob Burckhardt
    • Penguin UK, 2010
    • 0141958251, 9780141958255
    • The State as a Work of ArtGreat ideas
  6. ‘As the majority of the Italian States were in their internal constitution works of art, that is, the fruit of reflection and careful adaptation [better: ‘precise calculation’], so was their relation to one another and to foreign countries also a work of art’ (CR 57).

  7. 1. Mai 2011 · The State as a Work of Art: The Cultural Origins of the Constitution. The founding of the United States after the American Revolution was so deliberate, so inspired, and so monumental in scope that the key actors considered this new government to be a work of art framed from natural rights.

    • Paperback
    • Eric Slauter