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  1. The Story of Temple Drake has long been considered one of the films that so shocked audiences that it led to the tighter restrictions brought in by the Hays Code, adopted in 1930 but not enforced ...

  2. Long unseen except in bootleg 16mm prints, ‘The Story of Temple Drake’ was restored by the Museum of Modern Art and re-premiered in 2011 at the TCM Classic Film Festival. The “Pre-Code” period in Hollywood lasted from 1929 (the introduction of sound) until July 1, 1934, when the Production Code went into effect.

    • Blu-ray
  3. All in all, "The Story of Temple Drake" is a unique film, part crime, part drama, and at times, part horror. Hopkins' performance ties it all together, and the desperation of her situation is well-played throughout. Overall a dark, underrated (and under-seen) pre-code film. 9/10. 5 out of 5 found this helpful.

  4. 29. Juni 2019 · The Story of Temple Drake (1933). 70 minutes. Directed by Stephen Roberts. Starring Miriam Hopkins (as Temple Drake), Jack La Rue (as Trigger), William Gargan (as Stephen Benbow), William Collier, Jr. (as Toddy Gowan), Irving Pichel (as Lee Goodwin), Guy Standing (as Judge Drake), Elizabeth Patterson (as Aunt Jennie), Florence Eldridge (as Ruby Lemarr), James Eagles (as Tommy), and Harlan ...

  5. 可怜美玉陷泥淖的剧情简介 · · · · · ·. Temple Drake is a Southern belle who leads men on with her sexuality but usually leaves them wanting. She's loved by lawyer Stephen Benbow, whom she likes but doesn't love. While out carousing with one of her beaux, she finds herself stranded with a gang of bootleggers, one of whom ...

  6. 8. Jan. 2020 · The plot of Temple Drake is quite rudimentary (watered down as it is, of course, from Faulkner’s prose). The eponymous socialite finds solace in her ability to woo the hearts (and hands and other appendages) of men, a wild child left to her own designs thanks to her sole guardian being her grandfather, the oblivious Judge Drake (Guy Standing).

  7. Long unseen except in bootleg 16mm prints, ‘The Story of Temple Drake’ was restored by the Museum of Modern Art and re-premiered in 2011 at the TCM Classic Film Festival. The “Pre-Code” period in Hollywood lasted from 1929 (the introduction of sound) until July 1, 1934, when the Production Code went into effect.

    • Blu-ray