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  1. Vor 3 Tagen · Dressler won an Academy Award for that film, which costarred Wallace Beery. Marion wrote several other screenplays for Beery, including The Big House (1930) and The Champ (1931), both of which won her Academy Awards. In 1940, after writing more than 130 screenplays, Marion retired but continued writing novels and stories. For a time ...

    • The Editors of Encyclopaedia Britannica
  2. Vor 2 Tagen · Riefenstahl became one of the few women in Germany to direct a film during the Weimar era when, in 1932, she decided to try directing with her own film, The Blue Light. [4] In the latter half of the 1930s, she directed the Nazi propaganda films Triumph of the Will (1935) and Olympia (1938), resulting in worldwide attention and acclaim.

    • 1925–2002
  3. Vor 22 Stunden · Believe it or not, 1999’s Aimée & Jaguar, directed by Max Färberböck, is a terrific film. Based on the book by Erica Fischer, the film focuses on Felice (Maria Schrader), a Jewish woman, and ...

  4. Vor 3 Tagen · Between Two Women: Willis Goldbeck: Van Johnson, Gloria DeHaven, Marilyn Maxwell: Drama: MGM: Bewitched: Arch Oboler: Phyllis Thaxter, Edmund Gwenn, Addison Richards: Drama: MGM: Beyond the Pecos: Lambert Hillyer: Rod Cameron, Jennifer Holt, Fuzzy Knight: Western: Universal: The Big Show-Off: Howard Bretherton: Arthur Lake, Dale ...

  5. Vor 2 Tagen · The War Between is the first to receive the state of Arizona’s tax incentive for film production, and director Correa, DP Evan Jake Cohen, and the production crew make the most of the Sonoran desert’s natural beauty and 19th-century interiors for a shoot that recalls, but never sentimentalizes, the old West: the harshness of the exteriors, the majesty of the landscapes, the grit and dirt ...

  6. Vor 3 Tagen · In several ways, this law, and many other laws enforced in the 1980s, had a great impact on how the following films would represent differences between gender, and also how women would come to express themselves in the society. The “Independent woman” became a definition both in the society and in film. Productions that enhanced the female ...

  7. Vor 4 Tagen · sexualized women than the films from the post-Code era. The comedy in the pre-Code era featured women with comedic authority who were the ones making the jokes. Comedy in the post-Code films were more focused on sex and the male characters poking fun at the women in the films. Women went from being the center of the romantic comedy in every ...