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Vor einem Tag · That’s true in the editing suite, too. Martin Scorsese’s invaluable editor, Thelma Schoonmaker, once memorably offered that, ‘Marty’s movies aren’t violent until I cut them,’ perfectly encapsulating the too-oft-unsung heroism of those who massage the mess and noise into perfection.
Vor 5 Tagen · But like a modest director, Scorsese has long credited his success to his collaborative partnership with Thelma Schoonmaker, whom he considers the greatest living film editor. For over five decades, Schoonmaker has been the mastermind behind the editing room, shaping Scorsese’s vision into cinematic masterpieces.
Vor einem Tag · Why Peeping Tom failed where Psycho succeeded is explored in The Criterion Collection’s newest 4K+Blu-ray. The set includes two commentary tracks and a bevy of interviews (including one with Thelma Schoonmaker, Powell’s widow) about the film and the filmmaker, enough that one could spend more time fixating about everything outside of the frame than what’s in it—as I seem to be doing here.
Vor 2 Tagen · Oppenheimer ( 2023) Website. oscars .org. Thelma Schoonmaker (left) and Columba Powell (right) at the 2009 Cannes Film Festival. Schoonmaker is among the deans of film editing; Powell is the son of Michael Powell, a prominent film director to whom Schoonmaker was married until his death in 1990.
Vor einem Tag · The first features Scorsese and editor Thelma Schoonmaker, recorded in 1990. The second is from 2004, featuring a range of voices including director of photography Chapman, producers Robert Chartoff and Irwin Winkler, casting director Cis Corman, music consultant Robbie Robertson, actors Teresa Saldana and John Turturro, and sound effects editor Frank Warner. This collection of speakers is a ...
Vor einem Tag · If that wasn't enough of an endorsement, Scorsese's three-time Oscar-winning editor Thelma Schoonmaker publicly defended the film in 2016. According to Schoonmaker via Den of Geek :
Vor 3 Tagen · And, of course, it’d be outrageous of me to not mention the fight sequences, and the editing from the ever-brilliant Thelma Schoonmaker, who won the second Oscar for the film. Cut quickly to aid realism, adding in sudden and effective changes in pace, or representations of aggression, you sense truth in the style as it cuts between camera shots and still photography effortlessly – never ...
