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The Threepenny Opera (German: Die 3 Groschen-Oper) is a 1931 German musical film directed by G. W. Pabst. Produced by Seymour Nebenzal 's Nero-Film for Tonbild-Syndikat AG ( Tobis ), Berlin and Warner Bros. Pictures GmbH , Berlin, the film is loosely based on the 1928 musical theatre success of the same name by Bertolt Brecht and ...
- Kurt Weill
- Seymour Nebenzal
- 19 February 1931
The Threepenny Opera: Directed by Georg Wilhelm Pabst. With Rudolf Forster, Albert Préjean, Florelle, Carola Neher. The Gangster Macheath secretly marries the daughter of beggar king Peachum. When Peachum finds out, he instructs the police chief Brown to arrest and hang Macheath.
- (2,5K)
- Georg Wilhelm Pabst
- Not Rated
- Rudolf Forster, Lotte Lenya, Carola Neher
Set in the impoverished back alleys of Victorian London, The Threepenny Opera follows underworld antihero Mackie Messer (a.k.a. Mack the Knife) as he tries to woo Polly Peachum and elude the authorities. With its palpable evocation of corruption and dread, set to Weill's irresistible score, The Threepenny Opera remains a benchmark of early ...
- Mackie Messer
The Threepenny Opera has been performed in the United Kingdom, the United States, France, Russia, Italy, and Hungary. It has also been adapted to film and radio. The German-language version from 1928 entered the public domain in the US in 2024.
Three Penny Opera: Directed by Wolfgang Staudte. With Curd Jürgens, Hildegard Knef, Gert Fröbe, Hilde Hildebrand. The Gangster Macheath secretly marries the daughter of beggar king Peachum. When Peachum finds out, he instructs the police chief Brown to arrest and hang Macheath.
- (190)
- Drama, Musical
- Wolfgang Staudte
- 1968-02-21
Set in the impoverished back alleys of Victorian London, THE THREEPENNY OPERA follows underworld antihero Mackie Messer (a.k.a. Mack the Knife) as he tries to woo Polly Peachum and elude the authorities. With its palpable evocation of corruption and dread, set to Weill’s irresistible score, THE THREEPENNY OPERA remains a benchmark of early ...
Although reviewers have sometimes criticized the director's “romanticizing” of Brecht's material, film historians have recognized The Threepenny Opera as one of the last great works of German cinema's richest period. They also recognize that Pabst's vision lends humanity and depth to the material, without diminishing Brecht's message or his ...